Movie 9 APRIL 6, 2005 Emotions Dominate Ladder 49 Ladder 49 Directed by Jay Russell Br Sean Dopprn STAFF WRITER “Courage is resistance to fear, mas- tery of fear, not absence of fear,” quoted from Mark Twain. Ladder 49 is a film that seeks to shed the scales of a firefighter and reveal to us what it takes to be a hero. It goes beyond the blazes, explosions, rescues, and tragedies to tell the story of the men that do one of the most dangerous and yet necessary jobs in the confus- ing web of our society. Now the absolute key rule of thumb in storytelling is simple: char- acters first, circumstance second. Ladder 49 understands this clearly, for its dedication to character devel- opment ensures that the film’s mes- sage is clear and fully absorbed by the viewer. The ending of this film is powerful, and it is powerful because- University of Lethbridge of the connections we draw to the featured characters. The central character of this film is rookie firefighter, Jack Morrison. He is played by Joaquin Phoenix who proves yet again why he is one of the finest actors of his generation in Hollywood. At the plot’s beginning, Jack’s job is search and rescue. He is amongst the company of firefighters with no water between them and the inferno. The film begins holding nothing back as we are immediately intro- duced to a spectacular blaze. Following the initial series of events, everything is refocused onto Jack’s fledgling days with his firehouse. The plot follows a fairly formulaic and pre- dictable progression that won’t incite much admiration into a hardened and experienced movie-goer. However, as any good character-play develops, the people at the centre of the story become more important to the viewer because of what they make of themselves, not what the plot dic- tates they become. There is action in this film; it is the nature of the context of the players, but all the players involved have been givm dimensions relating to each other. The emphasis on camaraderie is cited through the choices and actions everyone makes. Because of that, the action becomes a genuine drawing point of character for these men, not something that is just there to push the plot to where it needs to be next. The relatability of the characters eventually, and predictably, leads to some very moments. These are not, however, restricted to tear jerking sentiments. There is an awards ceremony in this film every bit as emotional and inspi- rational as any other scene you will come across. There are people out there who will be naively predisposed to being offended by this film’s “manipulative” emotions. This is their loss however, for there is a story here worth being engrossed by. Emotions ARE manip- ulative by nature, denying them will get you nowhere. Ultimately, Ladder 49 truly is not what most would initially expect. Despite all the great action and thrilling suspense, this film is still about the camaraderie of the men behind the heroes. Ladder 49 is excit- ing, emotional, and thoughtful. I am grateful for having watched it, and amazed at how much I was moved by it. ADMISSION In support of the Alberta government's renewed commitment to post-secondary access, the University of Lethbridge is restoring the admission standards that have served the University and students so well for more than 10 years. Please note the following U of L admission changes: - Admission GPA for new transfer applicants is 2.0* (based on a 4-point grade scale} - Admission deadline: June 1, 2005 _ “Based on traditional course-by-course transferable courses For details, please visit www.uleth.ca emotionally jarring ~ @ OUT OF THE MOVIE VAULT Great Film - = Russian Ark Directed by Alexander Sokurov Br TRAVIS NIELSEN DISTRIBUTION MANAGER Shermitage Bridge Studios and Egoli Tossell Films presents: Russian Ark, a film by Director Alexander Sokurov, director of other Russian films such as Father and Son and Elegy of a Voyage. Written by Anatoly Nikiforov and _ Boris Khaimshky, this film was no less than a cinematic masterpiece. Filmed in 2002, the whole movie takes place in the Hermitage museum in St. Petersburg. It took 2000 actors, 33 rooms in hermitage, and three live orchestras to cover the entire filming of this piece. The story itself is an interesting concept. A contemporary filmmaker finds himself in the her- mitage museum in St. Petersburg back in the early 1700’s. After meet- ing up with a interesting, yet cynical French diplomat from the early 19th century (played by actor Sergei Dreiden), they proceed to travel back and forth through 300 years of Russian history, gaining an amazing " insight into the life and times of many great Russian monarchs, including Peter the Great and right through to Nicholas Romanoff II. The film uses an amazing cast of actors and amazing symbolism for the title of the movie, showing the arc of time that the main characters take from the 1700’s to present day Russia. is Ignored by Audiences They move from the Ark of historical treasures that the Hermitage in. St. Petersburg truly represents to mod- ern-day Russia. However, the main reason that this film will truly go down in cinematic history is that the entire movie is done in one continu- ous 96 minute shot, no stops, and no cut scenes. Much of the equipment and lighting setups for Russian Ark had to be created specially for this movie, because nothing like this has ever been created before. It takes the viewer on a roller coaster ride through one of the most beautiful and amazing museums in the world. The film also has an all-star cast of Russian actors, including Sergei Dreiden (the French diplomat), Maria Kuznetsova (Catherine the Great), and Leonid Mozgovoy (the spy). There is also a bit part where her- mitage director Mikhail Piotrovsky plays himself: An amazing piece of cinematic his- tory, Alexander Sokurov brings the history of the hermitage to life like no one before him could have ever dreamed of. It is certainly one of the best foreign films of all time. Unfortunately, this film did not receive the press that it was due in the North American market. The film can be purchased on DVD at most big-box electronics outlets and can also be rented at many local video stores. Go pick it up and see one of the most amazing pieces of cinematic history unfold before your very eyes. Word of the Week Welcome, human worm babies, to the final edition of Word of the Week. What better way to relax from the stress of finals that expanding your vocabulary? And who knows, all those fancy words -you know just might impress prospective employers. Not as much as your cunnilingus skills, of course, but every little bit helps. This week's word is geld. What does it mean? A) Governmental: Geld was a tax paid to the Crown by landown- ers during Saxon and Norman times. Of course, the Crown could never really figure out what to do with all of those extra sheep, so they shipped them out to Scotland for storage. B) Geographical: The geld are the vast and wild plains located in central Australasia, where the beefalo and kangaroos roam. C) Biological: A polymorph, able to change its shape at will, in order to catch its human prey in order to feed off emotional dis- charges. Often found next to emasculated males wearing shirts that say “Give Quiche a Chance”. D) Medical: To castrate. As in “If my boyfriend cheats on me again, I’m going to geld him but good”. .Siq Ajuew, Ue} -Joduul |J2 $,ou0 Jo Ssoj ay) pue ,Buipjeb, ueemjeq uonelposse ay) pesneo Ajjenjueas siuy ,JeeA siy} aw pjaB Jara uewW xe} 8u} pip ‘uewW ‘YY, eseiyd BY} 0} ps] Saxe} YBiy Ajsnojnoipu ayy yeu} no SUN} y| “(G pue (ty JeMsUYy