TOW ARDS BODY-RECOVERY: A COLLAGE O F ORALITY HERSTORICAL POETRY-TELLINGS WITHIN FEMINIST AND ECOLOGICAL FEMINIST NARRATIVES by Maria Walther B.A., University of British Columbia, 1994 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in GENDER STUDIES Maria Walther, 2003 THE UNIVERSITY OF NORTHERN BRITISH COLUMBIA March 2003 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. 1 * 1 National Library of Canada Bibliothèque nationale du Canada Acquisitions and Bibliographic Services Acquisitions et services bibliographiques 395 Wellington Street Ottawa ON K1A 0N4 Canada 395, rue Wellington Ottawa ON K1A0N4 Canada VtOreréférancê OurSie Notreréférence The author has granted a non­ exclusive licence allowing the National Library o f Canada to reproduce, loan, distribute or sell copies o f this thesis in microform, paper or electronic formats. L’auteur a accordé une Mcence non exclusive permettant à la Bibliothèque nationale du Canada de reproduire, prêter, distribuer ou vendre des copies de cette thèse sous la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership o f the copyri^t in this thesis. Neither the thesis nor substantial extracts from it may be printed or otherwise reproduced without the author’s permission. L’auteur conserve la propriété du droit d’auteur qui protège cette thèse. N i la thèse ni des extraits substantiels de celle-ci ne doivent être imprimés ou autrement reproduits sans son autorisation. 0 612 80653-7 - CanadS - APPROVAL Name: Maria Walther Degree: Master of Arts Thesis Title: TOWARDS BODY-RECOVERY HERSTORICAL POETRY-TELLINGS WITHIN FEMINIST AND ECOLOGICAL FEMINIST NARRATIVES Examining Committee: O- Chair: Dr. Robert W. Tait Dean of Graduate Studies UNBC Supervisor: Dr. Si Transken Assistant Professor, Social Work Program UNBC Committee MemB^: Dr. Robert Budde Assistant Professor, English Program UNBC Committee Member: Dr. Theresa Healy Adjunct Professor, Women’s Studies Program UNBC External Examiner: Dr. Antonia Mills Associate Professor, First Nations Studies Program UNBC Date Approved: ABSTRACT This thesis presents an exploratory eSbrt in the local-global ecologial feminist quest to further stimulate debate o f ways in which we-women, within our selves and the eco-social context o f our communities, may acknowledge and honor biologically anchored gender diGetence. As such it is premised on the recognition o f women's biological diSerence as a further building block towards a cross-cultural feminist understanding and appreciation o f all our unique, diverse, uncontainable identities in this world-earth-home. The diesis is written in the hope diat we may, out o f this honoring o f biological difference and its ecological/sociological effects, collectively move beyond multiple oppressions towards crosscultural alliances in efforts to redefine the human journey o f life on this planet. I thank all those women who have come before me and passed on their empowering legacy o f strength and hope. Set within an ecological feminist framework, this inquiry into Western cultural body politics and its effects on women is a multi-layered collage o f intermingling textual analysis, creative writing and herstorical testimonies. Contextually ^propriate poetry threads through the textual montage, linking the writer's personal experiences into the larger fa m e o f women's experiences as evidenced in local and global ferninist research Through this unconventional format I hope to o ffa readers new paths o f entry into the debate. In surmnaiy then, the thesis explores how women-we can acknowledge our material bodies in ways that are affrming, celebratory, liberating and lead towards new expressions o f self determination - an embodied self-determination which moves f o m personal b o ^ validation towards collective herstorical awareness o f the stark socio-ecological consequences contained in Western masculinist devaluation/exploitation o f women's bodies in corporate global politics. u TABLE OF CONTENTS Abstract Table of Contents 111 Dedication iv Introduction Reader's blueprint, what the thesis is all about and why 1 Chapter One Who benefits, herstorical position, herstorical foremothers, grounding her body/language 9 Chapter Two Women's bodies, women's texts, (Western) feminist dilemma of essentialism, images of women's biological cycle 23 Chapter Three Debate of women-nature, ecological feminism as transformative politics for all, ecological feminist allies, our hopeful potential, what it means 87 Conclusion Musings on a hopeful future, curving the meanings of language to afBrm embodied difference, continuing their-our tellings 117 Glossary 134 Bibliography 136 m (0 off wofwew wAo Zove MTMwZZwg fo a // womgM wAo awn w e ;« pZacgy M'Aéré M'oser « jw r e Afea (0 oZZMvme» M;Ao Aore ZAeir e0wr%e Aecmwe y ZAey fkwY M'AOM'fZZ (0 a // M'omen M»A0 are fmaZAer; awZ aZaZer; (ZaagAfery aw f Zaver; (0 aZZM;0mea awZyZaaZZy Z0 My MaZAer amZ aZZ M'ameM M'Aa aigaZfMZ fZraZ^gZc ad & Aave aZM;ayf AaaM'w ZAw; iaafidk zA erzrgg o /A e r yuZra aw a/fg M ercô n eaf a o ^ vi^aA an d k a/Vove g r im a g e aA re 2aLgAZr^ IV wornem^ wAof? this is a proverbial flood o f ancient tears a poming o f rage bursting into a love song a prayer not a meditation and though not a missionary by trade o/men will suggest I act like one like die wor(l)d belongs to me also attached to a defnite nirvana &o MwomgM organic bowels move chests sound 6om within mumble hideously babble ghastly nasty gossip schane vigorously on the sly (with attention to detail the way only we are still expected to purr/fbrm) plot 6ir an/o/ther escape 7 wf// nwert ao Aglp me women 7 w reo/ they are the steaming compost heap o f my thoughts \^ c h having outwitted their objectifying gropings slip past neurological control jump 6om nerve end to pea screen to paper see how they dance across the page love how they dance into body space EXTRODUCTION Reader's bkeprmt, what the thesis is all about, and why Before I begin the story-telling, dear reader, let me quickly explain the technical blue-print o f this narrative collage so you will easily Gnd your way through the various layers o f its journey. As I mentioned in fhe abstract, this thesis consists o f a series o f l^ e r s representing women's voices, taken from interviews, texts and personal poetry. Together, they build into a chorus o f aithusiastic and determined voices, which th a t explores various aspects o f herstorical body-recovery, never all at the same time, but taking turns, over and underl^ping and continuing where others left o ff I have alternated personal inquiry into certain issues with other women's comments and musings. The thesis topic is intense and I wanted to evoke the feeling o f excited, dynamic conversation, o f multiple voices carrying on at the same time or almost, just the way we might have them at someone's kitchen table. Citation clusters seemed an appropriate choice to approximate animated debate among the writers. They alternate with poetry clusters which chart my pasonal experience in this herstorical journey and guide my reflections along the paths o f textual inquiry. 1 wrote this text in an effort to move out o f the rigidly conGned conventional scholarly research text into a more dynamic, textual hybrid in the hope that the subject matter —women and women's bodies —also becomes less conGned and restricted, to me the writer as well as to you the reader. Thank you I am wiitmg in die face o f impending war between the United States o f America, possible allied countries, and Iraq. The reason seans to be potential weapons o f mass destruction in the "wrong' hands. The cause may well be anotha c h ^ ita in the story o f Western afOuent nations Sgbting to maintain global siquanacy - anofba round in Western imperialism. I am writing in the face o f growing tensions among Middle East nations. The reason seans to be extreme w a ta shortage for downstream users o f the rivers Euphrates and Tigris, caused by irresponsible w a ta commodification and export aimed at short ta m proGts, Westem-style, among its upstream users. The cause may be the addition o f grotesque Western neocolonialist strategies to rein&uce power-ovgr. The human story is all about body. Indeed, th a e may not be a single th an e in the total perceived/constructed realm o f human storytelling that is not in some way linked to the human body. Its lack. Its desires. Its greediness. Its needs. Its rhythms and ticks. Its hunga. Its curiosity in o th a bodies. Its very search for fu rth a dimensions outside body contours. Its re: source-Gillness. Its re:presentations. Its self-reGexivity. Its reflections on oAers. Its fear o f its own potential. Its hope Gar the realization o f its potential. Bodystories. This story also talks about bodies. Women's bodies. The main point o f dûs story is to help bring bodies out into the open, into air, sight, text and consciousness. Why? Because women's bodies continue to be degraded and devalued in W estan capitalist patriarchal societies, they continue to suffer and die, and through women's suffering, all o f humanity suffers in unspeakable and unnecessary ways. Should the re a d a care? WTl d ia e be a tomorrow? I f we believe in the need for a Sana world, one which h o n a s and embraces the diversity o f women in all our different identities, then yes, the read a should care. I care. 1 am a woman. 1 want to help make women more visible, and because 1 see women's bcxhes as the most visibly exposed and suffering object o f masculinist oppression, I chcxae to tell this particular story, using my body as entry point into the story. And my body-story informs me that catain rhythms o f our bodies have just not been terribly popular. They are hardly talked about and for the most part drey are ignored, even denied. Yes, among women ourselves. I should not say that the rhythms are denied as much as the bodies themselves seem to conveniently dis;g)pear out o f postmodern feminist discourse^. We may talk about body as text, image, as ingenious representation o f an idea o f who woman could be, and we profess a great amount o f interest in visions o f the km ale sexed body as a constellation all on its/her o w n / I will confine my next remarks to a lengthy footnote, so it may /wr take up powerful space in the main body of my text. I am doing this to bring into relief her:stoncal subject matter, so that her:story may set the tone, the agenda and continue to empower our becoming (as my supervisor Si Transken suggested, I am not in conversation with Freud). What is the fascination to the point of obsession which some postmodern feminists (I use the term loosely) exhibit as they interpret, reinterpret and second-guess male theorists and their discourse on the origins and /or nature o f interrelational power systems particularly regarding class, gender and the politics of oppression? Why would women, why would we, out of our real experience living with-in-the-worid, in our quest to define our identity and position in order to empower us, why would we even look at theory originated within male or masculinist experience? Especially when this carefully articulated expaiatce so very Grmly reinforces the status quo? Do we really think that we can simply take some of the formula and leave out the rest? Or are we earnestly trying to harmonize, blend and align our selves with the dominant, universal, male category? What can we hope to accomplish by consistently turning back as we walk forward? Chances are we end up stumbling, maybe even tripping - we may know we are diSerent, but we still only have one pair of eyes, and those eyes need to look ahead for us to get ahead: deciphering men's inherently sexist monologues on who and how women are perceived and furthermore supposed to be in the eyes of men, seems a futile exploration if we want to locate our selves - see our own reflection for a change. This will not happen if we spend precious time trying to understand these monologues and 511 in the gaps', nor will we ever adBkct a change in the way we are perceived, whether that is in theoretical musings or practical daily negotiations with real bodies. For, beneath it all, male theorists like Freud, Denida, Foucault, Lacan and oh so many others, wrote what they did because they believed it - and they happily and firmly pressed their writings within the ideological framework, again because they believed in it: because the logic of domination which governs Western patriarchal society quite simply seemed to make sense to them, and because it gave them satisfaction, nothing more, and nothing less. If we want to come up with something more inclusive, more egalitarian, less phallic-oriented, we truly need to jump off the phallus: trying to stay on fbr the ride, well, we get the picture ...we continue to ride off into the sunset we know so well. Somer Brodribb sums up the postmodern feminist quest to insert feminist theories into already established masculinist theoretical dogma; "As for the idea that feminists should be ragpickers in the bins o f male ideas, we are not as naked as all that. The notion that we need to salvage for this junk suggests that it is not immediately available everywhere at all times. The very up-to-date products of male culture are abundant and cheap; it is one of life's truly affordable things. In fact, we can't pay not to get it, it's so fine. So what we have is a diSiculty in refusing, of not choosing masculine theor^cal products. ..instead, I argue the best methodology fiar evaluating the practice of theory that is put before us as what feminists must attend to if we are really saious about social change is whether it originates from feminist politics and women's experiences. Not a tributary to or coincidence with male philosophy; women must be the matter and the energy: " (Somer Brodribb, Nothing James Lorimer & Company Ltd., Toronto: 1992, p. xxiii). My concerns are these: By elaborating on masculinist writings we add to their prominence, maybe even popularity, yet scholars in areas other than the study of feminist critique are very likely to go on as before with little thought given to tangential writings from less conservative and therefore less weighty, less funded disciplines. Within the discourse o f feminist critique however, these texts have taken on such overriding significance, that to express the desire to go ahead without allotting them energy and consideration has become almost a sacrilege. Not only that, these writings have already produced a generation or more of follow-ups. Revered feminists and their academic offspring have already spent much o f their lives dissecting, twisting and turning in ongoing attempts to insert or uncover meaning. These secondary writings, by virtue of their refiective value, add to that upon a male experience, can never successfully compete with the original upon which they are based. Not only that, but to the woman searching fbr refrections on the original female expeience, they will leave an unexpected sadness, and maybe a dawning conviction that many o f us still prefer to remain held with/in the male gaze instead of working together as allies to produce lasting testimony of women's experience and thus begin a less contaminated process towards the formulation o f a feminist politics. Is %ho we are not enough to justify writing our selves into the discourse? 3 But when the stoiy gets to the point o f biological subject matter, o f our bodies' persistent biological determinism, w ta t that looks and feels hke, bodies continue to be disappeared, and we are taught to bemoan instead the entrapment o f women into an essential idea and analyze the dangers of reducing the category women' to a (natural) essence. Whole books are written on the topic o f female body essence. 'Women are made not bom', says feminist foremother Simone de Beauvoir. Fair enough, considering that she was forever struggling toward a more hberatory understanding o f her own self inside Sartre's intellectual universe. In the eclectic company o f postmodern phallocrats, social constructionism won the day. 1 don't know all that much about men's bodies, but I do know that women's bodies are persistent, obstinately so. Mine is. How can I say 1 know'? Ever since my Grst period, my fanale body said hello in no uncertain terms, and since then she just refused to go away. Certainly, my mind intermittently succeeded in imagining it/her gone - the well practiced adage 'mind over body" - how else was I able to mimic my way through masculinist text, discourse and the rule o f die fathers at home, school, the work place and in between? Curricula, work place legislation, societal perceptions and expectations, aU encourage(d) us to pretend that we inhabit a secondary, less complete or defective (?!) version o f the normative male body. Even die hrst graduate seminars in gender studies (this was the mid 90's) still presumed that ideas about oedipal complex, penis-envy, women outside discourse - and not to be found anywhere, the paternalists' heralding o f phalhc signihers and women's equation with (can you beheve it) lack', that these ideas constituted a sort o f illustrious, universal truth. Deconstrucdon h^ipened to come along just then, ready to defer, hagment, invert and keep this kind o f truth horn evaporating like so much hot steam. And my body? Was my mind ready to acknowledge my body back into existence? Not at all, no —in fact, had I been asked back then to attend the Fngina MbMoipgnea, I probably would have opted to train as a cathohc nun. Imagine hearing "It's 10 o' clock at night - do you know where your clitoris is? ...After all, the Indo-European word cunt was derived from the goddess Kali's title ofK unda or Cunti, and shares the same root as ^ I am referring here to writers like Luce Irigaray, Julia Kristeva, Judith Butler, and their postmodern 6thers, as well as to Western feminist popular culture, in which the female body continues to be critiqued as a selfsufficient self-revolving sexed (adult) subject, yet its biologically hxed cyclicality remains curiously absent. 4 kin and country."^ What preposterous truth is diis you ask? I agree. Whoever heard o f it: cunt and kin. All the phallocrats' anthropological theorizings on kinship and countries and no one alerted us to possibilities...Until now. Until I had come to live with A e very real, very physical, Icmg term consequences o f my biologically determined body. In the process o f conceiving, becoming pregnant and giving birth, I - my body - has undergone a very particular, very essemtializing', transformation. Becoming a biological mother was my initiation into my female body, its physiological, 'real' biological, potmtial. It has been painful, painfully ecstatic, this journey into motherhood, because, in Nicole Brossard's words, "modieihood made hfe absolutely concrete An me It is out o f dtis experience and its immediate effect on all aqiects o f my personal/political daily life, diat 1 Snd myself moving towards a more intersuhjective understanding o f how the biologically deGned physcial, shifting realities o f women's bodies are forever deeply, - deeply connected with/in/to all meanings oflife on this planet. And what it means in this neo-colonial time o f (criminal) global monocuhuralizaticm, vhen many women, Westem(ized) feminists and ecological feminists in particular, still persist in questioning the relevancy (or even existaice) o f female biological determinian in the face o f women's struggles to survive in the to-be-eradicated other" cultures on this planeL Their daily challaiges to stay alive, vibrantly so. Within the contexts o f their children, their Aanilies, their communities, their land, which through their intricately woventogethemess sh^)es their cultures. Moana Sinclair sums up this interconnectedness inherent in her Maori culture: "We cannot go forward without our men and our diildren; we are a collective people linked to the land. We must liberate ourselves Grom our colonizer, Urgedier. This means much healing and an abandoning o f colonized mindsets, by both men and women, now."^ The very process o f cohaging my experiences, sorting perqrectives and putting them into words opaied rny self towards a growing desire to listen to die voices o f indigenous women, die world over - qieak out, speak the meaning o f their material lives. Even as I write these introductory paragraphs, Iknow that this process has barely begun, th a tla m on die right track however, and that ^ Œoiia Steinem in her fbrewwd to Magma (Eve Ensler: 2001), p. xiv ^ Nicole Brossard in conversation with Janice Williamson in (Toronto: University of TcuontoPræs;, 1993% p. 60. through my own desperation at the ongoing capitalist patriarchal annihilation o f planetary diversity o f li&, I become more receptive to the wor(l)ds o f indigenous women and their determined fight fbr survival. And fnally, I have b%un to acknowledge that all the Gght 5)r survival begins in our very own bodies, die ways in which these our bodies are able to honor and be honored, through personal as w d l as collective, contextualizing body politics. All these reflections may stimulate feminist and ecological feminist inquiry, even AilGll necessary academic requiranents. Though diis is part o f the problem, because diere my own cmnplicity in noocolonial oppressions becomes blatantly obvious. Here I sit, at a computer which, while ready to coll^ise (6om boredom and old age Adgue), still links me to cyber-hype i f I so choose, which attaches itself to me as a neurotic, electronic, cyboigian extension so that I can, Bmn a safer distance, establish my self as a legitimate scholar, the same scholar who writes passionately about die need to reafBim ORuessed wcanen's lives while plunking away at a computer whose parts they assemble under harrowing conditions. Realizing that one o f die least challenged, contested and transformed sites - ccmtested by feminist theorists - o f patriarchal logics o f domiaatioa is (still) the postmodern absence o f the female body-experience in text/language, I explore this issue in the Grst c h ^ e r . In die second chqiter I quickly discuss why I think stand-ofBsh notions o f essence and constructivism among haninist and ecological 6m m ist writers are entirely redundant, even counterproductive if we intend to shape a w om ai centred dnure. T h ro u ^ poetry I highlight personal body experimces o f menstruation, fdxntion, pregnancy, childbirdi and the beginnings o f mothering, in rough chronological mder, and o np h asze the problematics o f honoring the biological dynamics o f the &male body in a society diat increasingly seems to hand it over to palhologizing medical institutions, stiU driven by masculinist assmnptions o f the ^ n a le body's "value' as an eaqdoitable resource commodity. Using my own reflections on women's bodies within fanmist, ecological ^ n io is t analyses as a celebratory link, I dien move into the third chrpter, in which I explore my perceptions o f how ecological haninist dieorics/strategies are vital to coonecdng women globally through the increased ^Moana Sinclair, "Pakcha Land Legisladon in Aotemoa: The Caitiauous Resistance by Maori Womm," Diana Vlnding, ed. IRwign; The RigAt 7b .4Fbice. (Copmhagen: IWGIA Document, 1998), p. 111. understanding o f Aeir/our transformative, anpowering practices, linked as we o u r-^ lv es are to our own bodies, families, communities and the nourishing edacities o f the land - r^ard less o f the seemingly seductive visions/politics o f masculinist technologies around hanale body control (technologies controlled by whom?). 1 also aq)lore the necessary personal and collective consequences o f this analysis - if it is to have any meaning at a ll I reflect on faninist and ecological haninist allying, the complexity o f culturally sensitive allying, the long way we have before us and the obvious rewards o f practicing hopeful, aoss-cultural, ecological feminist coming-togetha. In my conclusion I muse on the qniitual aq*ects o f a consciousness anchored in a feminist ecological understanding o f body politics, and the need to shape a difkrent language morphology to express w om ai centred meaning. Through these observations I spiral back to new, continued beginnings — haninist language as a creative strategy in the formulation o f an exuberant ecological feminist ethics o f care, that learns to express the keenly felt potential o f women's bodies as precious source energies oflife as well as their (biologically and culturally constructed) roles as mediating agents between land and its peoples. I qqreal to readers to appreciate die exploratory aqiects o f this thesis. There is a formidable wealth o f exciting feminist and ecological faninist literature speaking in much more detail on each strand o f my topic. My particular madness has been to reduce seemingly complex equations o f the faltering human/planetary journey to what I perceive - and yêef- t o be our global (i.e. androcentric) failure (speak wmvi//mgnew) to acknowledge women's biologically anchored dif&rence as die womh o f intarelational possibilities, ardcul^ed in the areas o f policy making and building cultural meaning. I have spokai out o f the direct experiences o f my own realized biological difkrence as a woman, feding my w ^ into/through die various stages ofbody experiences that mark me as belonging to die sex-woman, g@ider-6male^. (To the feminist stratège, complex and confusing sex/gender debate, let ^ The entire notion of sex versus gender in the englisb-q)ea]dng discourse is maddenly irritating. Whereas feminist ambiguity of terms can be an empowering, liberating strategy, it is my conviction that when foundational terminology like sex and gendbr is tossed about uncritically in Western dominant feminist discourse while presumed to be dxed, kminist debate quiddy diappears into meaninglessness. No one seems to be entirely sure of their own use of the terms, nor seems there to be an agreement among writers quite howto dedne the more intricate nuances of each, vdiich again would mean all of us to launch into the origin of the sex/gender ddiate. ..for fiirthe^ entertainment I heartily recommend Donna Haraway's essay " 'Gender" for a Marxist Dictionary. The Sexual Politics of a Word" as well as Monique Whtig's "The Category of Sex" and "The Mark of Gender" (see bibliognphy). 7 me only mention Aat q)eaking out o f my otAer Mother tongue, german, sex and gender merge into the term "Gesdilecht" which, as Donna Haraway puts it, carries the meanings o f sex, stock, race, and family, while the ac^ectival form 'geschlechtlich' means in Rnglish translations both sexual and generic. How is this fbr confusion, and the obvious need fbr feninist dieorics h) be respecthdly attuned to a people's particular linguistically rooted cultural paradigms, most particularly those that have been marginalized and/or completely silenced?) Out o f dûs quite basic (inter)subjective re:dedning, my text offers, thaefixe, a liberating bias. 1 don't presume this text to be a dednite answer or a statement leading to a "period', despite the enthusiastic fervor 1 express at times. Rather, I write out o f a dawning ccmvictimi: 1 suggest, encourage, deplore, cdebrate, and through the (hopefully) creative fbrmat o f the textual collage, write in recurring spirals towards a renewed effort to understand reqrectfid, integral ways o f interrelational bang within this world-earth-home. I do, how eva, rest my arguments on a dediûte, explicit bottomline, w hidi pushes a very obvious ethical commitment throughout the unfolding o f the subject fbroMnatter. It goes something like this: Who bm edts ? Chapter One Who benefhs, heratorkal poaidon, heratorkal flwemothera, gromwlmg her body/himguage Who beieGts and who o o ^ t to beneGt? Once those questions are asked, they can never be swallowed back and their repeated recurrence becomes a measure o f our willingness to push etbical boundaries. I know that every time my hiend tossed it into die ccmsensus based committee o f die Vancouver Women's Monument Project, we were able - in the middle o f heated debate - to realign the potendally divisive muldplicity o f our experiences and redirect our focus to what mattered: to write into existence w om ai's names, to uncover the natimiwide, institutionalized denial o f systemic femicide and, fmally, to Rirge alliances with Native Women's organizations from the Downtown Eastside. Who baieGts? Whose science? Whose knowledge? Where do I come d-om? How do I dedne my situatedness, that guides the ways in which I locate know/et^e? Can 1 dcdne my own cmnphcrty in the research I inherit? Who benedts? Linda Tuhiwai Smith voices her scepticism when she concludes that "taking zgiart the story, revealing underlying texts, and giving voice to things that are oden known intuitively does not help people to improve their current conditions. It provides words, peihaps, an insight that enqilains certain expaiences - but it does not prevent someone dom d y i n g .I t is with diis in my heart that I write: I am a drst generation Eurc^iean immigrant to Canada, 1 d t the im% e o f the neocolonial global citizen in many life st)de expectations; I am white, and, slowly recognizing my own raced colour, busy uncovering the multiple politics of neocolrmial oppressions in their varied Ain di%uises. Until recently 1 had persuaded nqfself to be heterosexual, and being a recently sh%le m o th a o f small diildrai, student, ecological fouinist, qxiusal digitive and living widiin m a e sustainiog conditions^, my life has became m a e preaous and real to me, dir my own worth as w d l as its possibihdes to sh^ie future ^ Linda Tuhiwai Smith, jkagorcA aMK//«dl(gBmo«îPgcg*j;(New York: St. Mmtin's Press, 2001% p.3. ^This needs to be qualided to mean: 'sustaining within Canadian expectations of what economically poor means' for the next genanticm. Now I have a stake where before I merely consumed my self through the next day, risking my voice at leisure. And w heran do I situate my feminist epistemology? If I must answer this question - in accordance with academic rules - let me say that 1 am not at all certain o f die correctness o f these rules. I am neith a informed nor believing enough to announce behndiand, in convincing academic terminology, Amv I must get to where I hope to go. I can suggest possibilities, entetain ideas and voice doubts, but I am wary o f investing in any 'proven' research meAod. I f I mud^ label my explorative journey, I wiU say that it grows out o f a conviction A at we need to validate women's experience As aich, I believe in Ae need and legitimacy o f feminist empirical research and, growing out of it, Aminist standpoint Aeoiies, %Aich point towards Ae lived, silenced, marginalized, dailiness o f w om ai's labor. I also take into account Sarxlra Harding's cautionary note that women's experiences per se do not necessarily imply foninist analysis, since "cxpaience itself is shqied by social r^ations; fbr example, w om ai have had to /gam to deSne as i^ ie Aose sexual assaults that occur within marriage"^. However, I AfGa^ &om her assertion A at these experiaices do not provide rdiable grounds fbr knowledge claims about nature and social relations. I suggest it is precife/y our experimces which provide Ae fertile grounds fin Aminist epistemologies. What other grounds do women have if not our lived body-experience? While I agree wiA Ae need fbr a re-evaluation o f Aese experimces within a feminist ham e o f re&rence, Aey and Aey alone provide feminist theories wiA matoial, 'raw' testimony. FurAamore, I Aink Aese lived, traversed grounds' o f women's Averse lives need to be validated, brought mto fbcus and visibilily, so that feminist evaluation can take place m Ae fhst place. This is vAat motivates my writing. Donna Haraway qreaks energdicahy on A e possibilities o f partial perqrectives and mobile positioimig^°. It is Ae "propaty' trained, postmodern Western scientist m her, I believe, who delights m such baSling, bewildering assortments o f ( ^ o n s , culminating (far me) m her almost ccmvincing slogan "splitting, not being, is the [xivileged image fbr faninist epistemologies Sandra Harding, jWe/Kg? ff/xwe (New York: Cornell University Press, 1991), p. 123. 10 o f sciemti&c knowledge."" Almost, F w m ysd^ I prefix the idea o f Ag/mg as a verb - partial, strategic, accoimtË)le, resonating - enthralled in the process o f being. His:story has been entirely too full o f q)lit womm, split bodies, qilit widiin themselves, within family and as a community. Splittirg does not sound entirely whole, and whereas partial perspective - as in articulating my own experience as excruciatingly vital, posonal testimony - adds another p o rt to the becomingmore-whole, splitting takes away, promises furdier suSm ng. And yet, partial perq)ective also seems to be what Donna Haraway is after when die concludes, that "the moral is simple: only partial perspective promises objective vision".'^ The quest then seems to become a meeting o f partial perspectives towards the resonatiag landscape o f feminist intersubjectivity. With regard to the androcentrically rooted, manipulative idea o f Western research, however, Linda Tuhiwai Smith's speaks in a most serous tone o f her people's experiences: "The word itself "research', is probably one of the dirtiest words in the indigenous world's vocabulary. When mentioned in many indigenous contexts, it stirs iq) silence, it coiyures up bad memories, it raises a smile that is knowing and distrustful It is so powerful that indigenous people even write poetry about research." " So much for at least one creative link between poetry and research. How about poetry or research?" I am thinkmg h o e o f die serious business o f Joy Kogawa's practice o f poetry as "the sweeping out o f deW s betweai the conscious and the unconscioas. It's engaging die Dorma Haraway, "Situated Knowledges" dom QAorgs; a » / (New York: Rrxidedge, 1991), pp. 190 -192. "ibid., p. 193. " Ibid., p. 190. " Linda Tuhiwai Smith, Decokmzmg A&rAodWpgfer, p. 1. " I had irntially planned to talk about my use of poetry in a separate chapter, but decided othewise as the thesis grew. So let me briefly note a &w key ideas as to vhy I feel so strongly about the incorporation of poetry in my writing. Or any feminist writing fbr that matter. in its total diversity, it is a perfect, malleable, transdmnational medium suited far the articulation of women's multiple, (strat%ically) lived experience as a minimalist voice it easily crqrtures essences, multiple concerns and issues in its ability to doat surprisingly dee dom linguistic structure, it pmmises a healing, evocative medium to bridge a writer's mothertongues. the unlimited creative 'categories' of poetry allow fbr accumulative expansion of thou^its, self-reflections, organic processes or dramatic, spontaneous statements, punch lines as a fbrm of creative writing, its flexible, dagmentary nature dts into women's every day life, a dw lines jotted here and there (Adrienne Rich's experience while raising children...) the visual body of a poon, its corporeality, is fbr me, personally, very intruiging because of its BODY, whose sum total feels more than the conventional run-on line of prose, whose body like the body of woman undergoes gradual, ongoing, profbund changes emerging - like the poetic swellings - dom the inside out as a creative languie, it carries the structural potential to bypass, outgrow, die master's tools; poetry as a way of being remains open to women's hormonal ductuations - in actuality and symbolically, in creating and mirroring her own body-rhythm curves, in poetry, I del women dnding themselves in cetain circumstances can be true to themselves. 11 discipline o f dreams."'^ On the o th a hand, maybe it is h a him assadon on die righthil place o f poetry that qieaks directly to my own thoughts o f die purpose-AiUness o f poetry in this thesis: "I would like to write something that was real, too, and 1 wras trying to do diat in my poetry."^'^ poetry as a language fbrm links ancient forms of spirituality with neo-colonial postmodemity, since it was probably the most ancient fbrm of human eiqiressicm before written languages, as song and orally recited wisdoms. And the agelaig traction of fusing poetry as song with dance has been the acknowledged expression of individual and collective experience: we return thus to body-rhythm; poetry as prayer, song, song/dance, proverbs —poetry in its many guises has accorrqianied women through the millennia, dom the lullaby to the grandmotW passing on rhymes to her grandchildren — Joy Kogawa in Interview with Janice Williamson, (Toronto: University of Tororrto Press, 1993), p. 155. Ibid., p. 157. 12 body-hum h æ we are Ihen. HA your head your fbrdiead your dieekboues HA your scalp remiange your collarbones, now open your mouAi, sing, no? ah can't hear all I hear is absence where your body resonates close your eyes no point seeing again breathe in slowly that's it no use rushing things round them out yes o f course your breasts feel diem HA soAiyrest there included let your breath travel th ro n g body Auid leisurely sound cavities you never knew existed detach knuckle joints expand pelvis, loosen it as when you hold your womb Am out those hiplwnes wide wider exhale your triangle release the 6 a r in your knees let breath Aow inside the contours o f each toe vibrate your body whole spaces that touch you &el their swelling hear their swelling now sing aaah you hear her? bo^-hum '^ This description is a feminist reworking of the ways in which one of my voice pro&ssors encouraged me to consciously prepare to 'open' up my physiological body and oqierience the multitude of sound chambers which together vibrate into the totality of airwaves sound language........ 13 "Every gesture, evay word involves our past, preswt, and future. The body never stops accumulating. And years and years have gone by mine without my being able to stop them, stop it... .My story, no doubt, is me, but it is also, no doubt, older than me. Younger than me, olda^ than the humanized. Unmeasurable, uncontainable, so immense that it exceeds all attempts at humanizing. But humanizing we do, and also overdo, for the vision of a story that has no end, no middle, no b^inning; no start, no stop, no progression; neither backward nor harward, only a stream that flows into anodier stream, an open sea —is the vision of a madwoman." (Trinh T. M in h ^: 1989, p.l22) "If you look at a large subject through the medium of a Httle book you see fbr the most part something of such vague and wavering outline that, though it may be a Gredc gem, it may almost equally be a rrxruntain or a bathing machine." (Virginia Woolf: 1925, p. 64) "...In wom«i's writing we are addng 'What's reality' and 'What's hction?' because the reality we live in is a Gction fbr women since we didn't participate in creating it. Reality has been created thror^h men's Gction, through the imaginary menprrgected of themselves on reality. If women had built our cities, the ardiitecture would be totally different, because we would have projected part of our bodies as men projected their penis in military arsenals and guns. We would have projected the shapes of our bodies, our minds and our emotions in the way we light up the cities, in architecture aixl painting. The question fbr women in playing with language is really a matter oflife and death. Were not just playing far 6m in a kind of game. W ere Ending our own voice, eaqrloring it and making new sense where the general sense has lost its meaning and is no longer of use. If you want to grow, you've got to be at Ae origin of new meaning, somehow you have to honour your gender." (Nicole Brossard, interviewed by Janice Williamson, 1993, p. 64) I am very Artunate to be able to e?q)lore issues o f ecology and feminism witbm personal as well as global contexts while moving within an impressive (and rapidly growing) infrastructure o f q)iiitually inGaiming, critically sensitive and bopeftd writings by extraordinary women. Trinh T. Minh-ha, Karen Warren, Val Plnmwood, Carolyn Merchant, Vandana Shiva, beU hooks, Rosemary Radford Rnelher, Anne Bishop, Charlene Spietnak, Susan GrifBn, Maria Mies, Andre Lorde, Adrienne Rich, Nicole Brossard, Donna Haraway, Winnie Tomm, they and all the 'conoete' women in my own every d ^ life, including my mother, have inqnred me widi their enthusiastic determination and guided my inquiry along various avenues o f ecological Aminist strategies. I am deeply thankhil fbr their committed energies. They have articulated alternate ways o f seeing and perceiving, conceptual frameworks, built out o f shared desires o f ecological grassroots movements and womai's groups, linking themselves and each other into a giant network--web Wrose scope is as large as the planet itself. And while some o f these writer/activists insist on Ae urgency to develop and inqrlement a feminist ethics o f care, others, like my mother, suggest an inclusive care ethics o f all relations on this planet, bom out o f the combined strategies o f Aminist, qriritual and ecological faninist perqrectives, practiced on a daily basis th ro n g the most trivial seeming small rituals. Their perspectives cootmuously push my self towards A e realization o f A e necessary, hopefully reflexive interplay between Aeory and practice. Above all, they call on me to h i g h l i t the nrutual 14 mterdq)endeiicy o f any paradigmatic shifts that hcmor w om ai's diverse w ^ s o f being as rmique and diSaent, as well as Aose that acknowledge Ae ecological interconnectedness o f all planetary life forms and màke it relevant to myself and oAers. "The world's emliest archives or Hbraries were the memories o f women Patiently transmitted &om mouA to ear, body to body, hand to hand. In the process of storytelling, speaking and listening refer to realities that do not involve jnst the imagination The speech is seen, heard, smelled, tasted, and touched It destroys, Wings into life, nurtures. Every woman partakes in the chain of guardianship and of transmission A Adica it is said that every griotte who Aes is a whole library that bums down. _. tell me and let me tell my hearers what I have heard &om you vdm heard it dom your mother and your grandmother, so that what is said may be guarded and unfailingly transmitted to the women of tomorrow, who will be our dnldren and Ae children of our children These are the opanog lines she used to chant before embarking on a story. I owe that to you, her and her, who owe it to her, her and her. I memorize, recognize, and name my source(s), not to validate my voice through the voice of an authority (Ar we, women, have little authority in the History of Literature, and wise women never draw their powers dom authority), but to evoke her and sing. The bond between women and word. Among women themselves. To produce their dill effect, words must, indeed, be chanted Aythmically, m cadences, o d cadences."^^ From Ae proœ alive powers and insights generated Arough women's bodied sdves to Ae diverse wealA o f womoi's communities everywhere as knowers and healers to each oAer, to women's care practices o f Ae human collective and, dnally, to women's Aeless rmching mto A e soil to plant, harvest and manage A c very basis we dqiend on fbr bA itself: those are, to my undastanding, Aur o f Ae foundational areas that provide Ae nexus o f women's lives on this planet. All women may not aicounter these experiences m Aeir Kves, nor may Aey even desire Aem. R%ardless o f Western feminist inquiry into essentialism or constructivism, however, Aey still are Ae most pervasive expressions, globally, o f women's e v a y day lives. They take place within Ae unAitudc o f oppressions which help Aape the particularity o f our situated knowledges, and Aus deSne the site o f différences and commonalities wAich women everywhere are able to share and analyze inAvidnal sdfdeterm inabon as well as collective empowerment. 1 have several reasons fbr wiAing to Ascuss Aese areas o f women's experiences m more detail: as fundamentally gendered expressions o f identity, these areas o f women's q)istemologies continue to be made largely mvisible, and need to be brilliantly highlighted if we are to have a meaningful future m any collective, i.e. global efArts o f women-coming-togeAer, let alone survival Tiinh T. Minb-ha, AtUhv OfAer, (Indianapwirwciwre q/"gaaiegic /ie^ iAay dion VfooA a i eacA oiAer aa iAty ia/Aq^Ak fwdden diepariwre a f iAey memiian iAe years q/^ Ai$ iAeaincai wmAfçyiness iAe years q/'aggressive se^/^aAsorAdon we ia/A q/^iAis raiAer iAan iAe years q/'Ais «mceriiraied id wid. as i^ii madie a d ^ rem ce io wAiiewasA rww a/?erad iAai ardess io Ave iAe same /raiiems mayAe Aide AeAiraf iAe same iwisied va/wes Aide arwf even iAoagA iAey q/)er; ward io wiiA a gaiei Ae(p/ess d e ^ r o d o n wani io /eave Aim iam iAeir AacAs as Ae iarned Ais a/masi /krm iAe Aegirmir^ iAey c a n 'i car; i seem io iarn Aim ioose mio Ais owr; Ais own siory ordy Ae car: m anÿaiaie io swii as /ong as iAey re/&r io Ais room AeAira/ iAe c/osed door no orK eniers wAere among Ais AooAsAe/ves ara/ iAe A/acA radio on iAe wiraiowsi// iAe o/d desAcordirmes errgriy in iAe co/d corner wAere iAe san a/ways warms /asi ara/ in w inier^i/s io rise aAove iAe wirafowsi// a/iogeiAer. iAe on/y visiA/e dg^rence a ^ er iwo years. i/K cAair Ae wsed io occwpy eacA rdgAi a i /rrecise/y eigAi jo. m -wAi/ie dowr»6nrs iAe_^nrd/y si/endy si{ ^red dirmerAis c/osed ear iwrwd in io german radio is gone. 24 AimAig p e h f wbff /» fAe (gyrcBr/MMde cmfer fAey7oofp/oM a amo/kr vgMiom q/^my AAdfA 7 Aeaifafg wp aAove a ^o f awmAveok Aer w yj qga;mf (Ae (oo Wzd rq^er; /7mgs my aAadow Aoct o«( over (Ae voeonf amowacqpe (Aof fwo/Zowg A (Ae wqy (( ywaf/ow^ o(Aer ((MrdWoZef AAe WMe^ffo/ /ove dormoM( Aqpef or core/eag promwef (m(o o WKk ff/eMce comceo/ed dwqppeormg7m«e my eyef (Aere Ao/owed aga;m$( o (lomipg wm(er$^ yowr &dAowe((e wa:(î cAom fow m Aowd (Ae amAigwowf memwre q/yowr f^oo<ÿ W / q /k r wAo( we Aove Aeem (ArowgA o f de»( VM(( A)g%w^ed gycAoMge » m good Of ;( mqy ever Ae f(z// eve» Of 7 /eove (Ae f((e 7 wow/d Aove pre/^rred gem/e /)»ger(ÿ» (o/Af y^Tzo/j^ me/(mg owqy /o»g »(gA(f y7w(dAegfwzmgf ybrmow (Aw oe( q^AwddifpgAoofe wyowr wqy q^ powrzqg fW(gA( o// over (Aroo( AAe Aiffef yow eom*o( /e( go ^rw ow (Aif Aoiwe you Aw(/d (fy&(r wormmg (Ao(yow (mend (o mAoA(( (oge(Aer w ^»o(paeA w p Aof^omdgo o«(f(de q/"Aere AzwA/owd Aeffde eo»(e%( o AroAe» poreA door yk(/w/f q/^Ao(r o f mofAedpAo«e o AoAy'f wA(mper Aoimd qp A* (wo f q^ fmo// Aodzee Ae/omgimg 7 (AAzA(Aw w o y)?gA(em»g gwef((o» 7 AegA* (o (AAzA o( (Aw f (oge o»y qzzefdo» wyHgA(e»z»g f(»p/y Aecozwe (( demorndf OMOMfwer 7 w reo/ 7 w reo/ 7 w reo7 ozzd do»'(yoz/ everyôrge( fozz 25 AarWe-Ax* (Aem (ÿ*er a// (A» /gMomîMïowf (rea&Menf wAy k ;Y(&zf we ffi/Zyeom^y (Afwe^owwg m aw f q/^Aozr (Acwe gMd/ggf/y fAfWMerAig gwAe; q/^wwwrfaf ^xw^fom fo Ae)p m rememAer fAe «nmewwnzaA/e A/eocA-A/bWdiawce q/"mmjemAoW fAwwgA fqyeM q^gr /qyery q/^ gofmedc gkrAombom po/ygffgr w»AA*g fAavg(f g/r/;g fAzm «5çxw/Mg Ae yoMMg wowW Ao/ « A e wAeye eveyyoMg wqy gfo/y A Aer AAA»g$ eve» a ; aAe Ü fgo/gff myqy fMffdle Ae coo/ ^e/ecAve gaze q/^ o p e ^ c f/y Aomqw/ cw/Am/ Aomdbge /m$We A;^ gaze q/^ma/;gwmf owMeraAÿ Aw;// &%Ae o// Aeryowigyeory Aer fAorf^ x z /e ( / //^ AcoMMg blown A Ae p r^ e rre b conc/m/on Aof evgyy gmap q/^/Ao$e puniAve A:g Aamok Ae/r wgAf/y g n p on Aer co;/ q/"/waA oAonbbn WOf oa Aiby /ore. 26 "Iknv c»n I say it? That we are women 6om the start. That we don't have to be turned into women by them, labeled by them, made holy and pro&ned by them." (Luce Irigaray: 1985, p. 212). "By stating a partnership with nature in the politics of r%eneration, wmnen are «mukaneously reclaiming their own and nature's activity and creativity. There is nothing essentialist about politics because it is, in Act, based on denying Ae patriarchal deGniümi of passivity as the essoice of women and nature. T k re is nothing absolutist about it, because the neural' is crmstiucted through divwse relationships in divise settings. Natural agriculture and natural childbirth involve human creativity and sensitivity of Ae highest wder, a creativity and knowledge emerging Aom partnership and participation, not separation The politics of partnership wiA nature, as it is being shaped m the everyday lives of women and communities, is a politics of rebuilding connections and of regeiKration through dynamism and diversity.'' (Vandana Shiva: 1994, p. 142). H e asked me if I was going to take the materials back and I told him. No.' I k said. Then TU have to charge you.' I Aid the RCMP, That's all right, but make sure you Ast And a babysitter Ar me.' (laughter) He looked down at the kids and Adn"t know what A do. The kids said, 'Mom, are you going AjailT I said, 140, he won't come back.' I was wahii% for him the next momi]%. but be rmver came back. Maybe he couldnt Gnd a babysitter. " (Karen Perley m is Euougk .dbonlghia/ IPbmen Oar. 1997, p. 116). I am a woman. I am a moAer. From m y childhood throughout A c years o f my becomingfcmale-aduh, my own body has always been n y m o ^ mAnate context. Increasingly, Ae thought occurs A me Aat our human body has always been - m its actual idysicality - the most immediaAly visible, tangible siA where culturally constructed meanings and biological Amcdons meet and (fmceAUy) amalgamize mA a mme or less AmctAning realization o f self. The story o f western civilization, ie . hisrstory, has long acknowledged Ais process m the explimt deAntion o f the male as the nmrn, notwithstanding cetain qualifiers such as able-boAed, white, heterosexual middle class. Simultaneously, so his:stmy goes, the Amale ( b o ^ ) has been measured against A e male norm, and has - Ailed. The Amale body has been sized, paAaged, tailored, resized, denied rmd denied again as being m itself unique and o f intrinsic worA - A A e point o f conqdAe annihilation. We may w iA A assume that —having now entered A e year 2003 - we have Anally exposed tins violent crime and reconstructed cultural meaning A mclude Amale difGaence. We know Ais is not the case. However we may difkz on the labyrinA o f meanings surrounding Amale sex/gender, however we may question and argue A e myriad o f ways m which his:sAry has m coded Ae Amale s d f we know this at least: Aat A e iBrst and last site m this story-teHing has always been Ae body. The Amale body. S d f is connected A body. Lives are embodied lives. When I qieak, regardless o f dectnm ic medium, geogrtqAical place or ectmomic situadmi, I q>eak directly out A e phyâcal context o f my emboAed self its boundaries and deep desires that is also always embedded within cultural context. We know Ais as well: that our walking, talking, laughmg, crying, loving and delivering 27 bodies widnn W esternized) society are far ûom being req)ectAilly, unconditionally embraced as Amale difkcmce. The same difkrence that, throughout oogmng (Western) feminist ambivalence towards biological deteminism, is, as ever, solidly expressed in the biologically guided idœ tity o f women's own bodies. It is this situation I q>eak to: the continued —if hesitant - n%ation o f the biological signihcance o f d * female body, its biological liA-cycle and potential, which I regard as a deep and utterly unresolved crisis in contemporary faninist creativity. T h ro u ^ my writing I hope to make female bodies more visible, I make visible the empowering qualities inherent in the biologically productive potential o f female bodies. Anywhere. I have several reasons for doing so. First o f all, 1 suspect I am acting out o f a deq)«ate, deeply perscmal and sdh sh need to maintain (or regain?) an acceptable form o f sanity in my lifb. The very personal act o f writing aborU what compels me, as Shelagh Wilkinsrm says, "holds a;nomise; die wonnm who claims the time, the freedom to work - to write - for herself o f herself gains autonmny. Such a woman is fmidied widi being "nice.'^^ This holds true pmticularly with r% ard to feminist writing. From a fanhnst standpoint theory, the writing down o f personal testimony enables the increasing validation o f wmnen's varied expériences. To say in Nicole Brossard's strrmg, purposeful words, "as a lesbian and a Qu&6coise, I belong to minorities, but I always write as if the world bdonged to me, allowing my desire to dnqie around me die qiace I need to be what I am. Through my writing I thus contextualize my self within the community o f faninist experiences. Secrmdly, I have conpleted at least half o f my h& on this planet, and could not help but experience my self (o 8 m quite against my will) moving through various intriguing phases o f n y physical, and very biologically determined, body. From diis intimate experience and odier womm's told or otherwise documented Aaring, I can - with a certain d% ree o f conviction - say that the fanale body seems to show an obstinate disregard fm "rational' reasoning. P oiods happm regardless. Even pregnancies. Feminist thoi%hts seem to be glide uneasily around these blatant - if fluid maniAstations o f Amale biological body rituals. I am talking about not only the abstracted female ^ Shelagh Wihdnson, TBy in m by Sandra Burt, Loirmne Code, and Lindsay Domey, eds. (Toronto: McClelland & Stewart, 1993) p. 382. ^ Nicole Brossard, in (Janice Williamson, Toronto: University of Toronto Press, 1993) p. 66. 28 scxualily which feminist discourse frequency p h y s whh, but about menstruation and potential pregnancy, and about A e possiWe (xmsequence o f giving birth, lactating, nursing and child-raising. W hik I accq* A e difBcuhy o f embracing what patriarchal strategy his:storically devalues, I - out o f my body context - know that only w hm we retrieve A e female body whole bom the mmihilatiag patriarchal censure, can we move closer A em biadng A e rich totality o f our fianale oqxnence. A writing about what I perceive as some o f the hopeful and empowering meanings o f female-bodybecoming, I ease Aminist thinking (starting wiA my own) into a more comfbrtË)le and mindAl hicndship wiA and iKceptance o f our own bodies whose biological clock-tiddng, aAer all, patnarchal domination politics has always " gleeAUy - c o n sid æ d A e ptimary obstacle o f Ae women's liberatimi movement. Thirdly, my own levelling experience wiAin m y bodied self Allowed by my attempts A Alerate, accept, and ûnally honor the m A cades o f biological determinism, has led me A think A at Ae female body ü Ae one powerAUy Aagile, sourceful, common damminatm o ftbe female eqierieoce p ^ se. Globally. No matter how the body may be crmtextualized, pampered wiA economic privileges, covered or uncovered, stressed, mamouvered through the complexities o f personal liA, basic biological patterns seem A continne undeterred. Regardloss o f sexual (mentation or preference, bodies menstruate, breasts become toida^, Ixxhes conceive, Aey swell, wombs eaq)arul, contract and brrtA, breasts lactate, stories continue. ArtiGal interveoti(ms like hysterectmnies and vasecAmies are, m my cqnnion, just Aat: artiGal interventions. MerK^nmse is the organic time o f closure o f women's biological ;nodiKtivity and is as such only evidence o f women's intrinsic biological difkreiKe. Women's Ixxlies arc bom wiA A e complete number o f ova (etcqA ons only prove the rule) and carry wiAin Ae potmtial o f biological production m all its intricate cyclicality. How this potential plays itself out over Ae (xmrse o f our liA time (through external and internal circumstances) is, I think, A e stuS^ o f each woman's unique, mdrvidual and precious journey. What I am attempting here is A e great embrace: rmt A Aagment, qrlit, take q*art, but A Gnd ways A come togeAer m all our weahh o f diverse identities and jom - m all calddoscopic colours, all sbrpes and nuances - Award recognizing a more concrete formulation ofw om m 's physiologiral (xnmnonahties. 29 Uodarstanding A c Amale body dûs way fosters in me a great h ( ^ that th a e m ty indeed be a strong, hopeM connection that overindustrialized, white Weatem(izod) women have wiA less privileged (ahhongh less body-alienated), more (q^rressed womea elsewhere - maybe d re a r^ next door; that the Aminist call for allying mrd aisteiing can resonate thror%h A e vibrant, textured, mnhqrly ritualized female body and its inherent biologism. What, I ask, have we to be a&aid of? That patriarchal politics dangrates our body-biology? Recall, it has done so already, for longw than we care to ronem lw . Is it not time A stand tg) fin who we believe in, namely, for our sdves as we move within A e gloiions bodies that continne to be part o f who we are m this wodd-eardi-home? Along this avenue lies, I am convinced, the possibility o f a more sincere, concrète and hopeful coming-togeAer, or motWrsistcrhood o f vmmm globally, regardless ofL or let me say, egxcto/fy comrdermg race, class, age, edmic background, sexual orientation and physical ablemess. I also talk aboAmothermg and what it does, how it qreaksm original, cretAve ways. I e^qrlme (limitod as I am, since this ü a two-dimaisional regrresortationm its dual version and since I OM obligated to pèsent my version o f h e r story according to academic qrecidcations o f Ae discipline o f gender studies) the activity o f mothering, its potential as heahng, transformative, reo/ stmy-living - 1 talk about mothering as feminist agency. More than that, dirough personal, redective poetry I re: visit A e experiace o f moAering as empowaing, fernhnst-envirrmmaital strat^ y , ruthlessly benign, avaihAlo, sacred, and probably the most prevaricated upon o f all areas o f Amirnst discussion. And why is that I wonder? In the introduction to BogAedAfha^h/nars Winnie Tomm hints at the paradox o f a cultural paradigm which demands that half o f the human q>ecies only contribute to its mearûng by widrolding, m even denying, its own embodied expRience: "The dissertatioo bad served as a sorting process. It was, however, a study of abstract ideas coming &om men's realities. I did not team anyAing specific about bang a woman, even though I learned a great deal about theories of being a human being (horn t k perspective of males) in the abstracL Such abstract male knowledge was problematic for me. For example, I had given biiA to two childrm and had qrent several years raising them. None of the ingnratxmal male auAors whom I had been studying had anything positive to say about women, much less abmit having babies. As a woman, it was difGcult to "get it together" wiA reqrect to Ae importaiKe of giving birA and raising children in Hght of the alleged greater importance of intellectual knowledge, whidi implicitly denigrated the unique contributions of women. (Fortunately, I was oonsdous eno%%h to choose for the diss«tatkm only literamre which Ad not explicitly AsmnpowR^ women). ^ \Wnnie Tomm, jSWWAÆaÿWoa»; (Wataloo: Wil&id Laurier University Press, 1995), p. 1. 30 I would go so 6 r as to maint&in that most o f the imqurational male authors o f A e tradition^ western humanist paradigm have nothing whatsoever (positive o f othowise) to say about women, let alone babies, having babies, and Anally, moAers. I consider m yself Aatunate to have stumbled into A e arm a o f women's and gm der sAAes, and, like Tmnm, for Ae purpose o f my own writing as w d l as n y sanity, I Ael deeply the need A incorporate only literature which attempts A empower women - A honour Aeh/our multitude o f bodily lived m qwmices. I Alt pulled towards anthms whose writings on poetry, moAerhood and boApolitics have literally turned me on', m that A ey embodry an honesty wiA words, an integrity and aS erce desire A push and prod social change A the point o f no return. They are activists, poets, theorists, women deeply grounded m the belief A at women-we must honor our Ixx^-stories A heal ourselves and, m doing w , the world around us. Their w ritm g,A eirliA stories expand rne. D eqA e all A esupaim posed, theoretical stewing m the absolute necessity o f the authority o f Ae 'AAers' and oeApal make-believers, Aey have taken back A eir belief m women, not as a social cat%ory, Arevor and alwiqrs already pre'scribed, but as lived eoqweocc, wading Arough the mud soig) that is liA and A at calls on Aeir strmgths A give and share. Their writing is hopeful, because they believe women's lived and reflective story-Alling is vital and Aundational A A c survival o f our species on this planet They are hopeful. 31 AiaWie Aer we come MMcomgweraf fo W o rc W vfryzm : wm mo/;gw(/ of AfrfA wof d>ÿW fo /xwf-weocoWfo/ jAorea fMfAe mifMe (ÿ"my fmo// }%om A; fAe emerfrng o/jDuAe$cem d a rt Aer ^ Ao(^ Aon&y twew coMfeoO Ate /gw movmg Ayyferfco//y roommg wAAm Aer ccmfexf aeemed fAe co??y/fcff i(p te ^ q/"oecefjory gfncArea focred fc r^ fio w Aw ooy-Mour Aody AzAoo wAwe Aody fAe t ^ f o$tmg '%fwAer wAom ever^ r " o/reody cwme /i/kd f/it :g?d/ed Aergforfco/ /mo jpoce m Ame cmdd ever Ae ^ef o y fd e ^ r (Aü m fr^ A fg vemfwre/ m t apd/ed comdmwea fo apd/ y7wfd qjTwomem aAe Aoa Aeem gÿ)ed creodve women ^wid eoamg AfrfA megodofmg momemA q/"mdmofe comveraodom fgw wzfA 7(pa co-mmg/mg word; Aeyomd word* apd/fm g^m Aer mowfA fomgwe A o ^ Amda ngpe wdA mfemf we mqy mof Aove Aeem Aorm Aere fA*a w m ÿW m g Aer-ot^'-owr mofAer^ fomgwe Am Ate Aer cAforfa ^»ody_^Mmd Aefweem /(pa q/]/«rfoiw deafre we were /omg Ae/bre Aere conceived in aocred ecaiocy. 32 The power which lives in women's body imagery. Reading Cixons for A c hrst time I fWt embarrassed - o f being embarrassed at such straigkt&nward, empowering metqihors as writing wiA our milk. Or Lnce kigaray's image o f womai's labia, the two lips already and always engaged m discmsive, meoMAg/ir/ ecstacy. Postmodermty, Aat vague caleidoscope o f Western discourse analysis dealers, may have ordered A e deaA o f the metahistorical siAjoct m A e quicksand o f power relations, hoping to deflect Aom Ae fact that unless women express Aeir selves, cultural meaning will be business as usual. But we are here, and we will articulate our selves A give ArrAer m eaning A wAat it means for wmncm A move m te x t- f o r a wmnan A move text, beyond phallic understanding, and rejoice. For Aen we know A at we have reached body. Meaning. 33 my my wordk Aerwordk comcffve mfemf wAfwe ^cordk ^ //o w wonA dka/gm fAowgAf ;mocw/ayld, mothers and daughters can b ^ in the slow and painhil, triwnphantly rewarding pilgrimage towards a place where meaning in womm-oriented k in d r^ rdalionships is retrieved and ^rero , once the q»ace has been opened to accept all questions and question all die intricacies o f taboos and stigma in our society vdndi turn women into their partners' accomplices, die joy o f true hiendship is re/stored in a saA place, out o f reach ûom comqition and corrosive, cuhnral insinuations, accessible only by mothers and dieir d a n g h tw . Audre Lorde, Zomi. X Aine my Ahme, 1982, p. 256. 5; Adrienne Rich, t y lyaman Bom, 1986, p.226. 57 ÿ of m owpo/wAgff com'emoAon-cgmmwcf ay/ZoAkf aeew fo /orne AwMfffmg fowm^yÿogTMgma îMfa/ïAyowgAykwfwg q^grfAoogAf - q ^ cAomoe meowMg? Mwof/y wffA evgyy 6reofA we wwowMce cfofwre wffA eve/y /me q/^Aarren amo// fo/t we coMfmwe fo /Kfe/T owqy g re v e r yôrever cow e/ wAof we /m f jo ü / aW reo//y Aow we meomf of fAe ey*/ eocA vw/f o?W a ; oawo/ our fo/ffwdka co//qp3e wffA fAe^ f/g u e q/^de/fAerofe mûreod/ng» //te oo7:fro//e-wg. MOWfAof pregMaMfy wM/eofAee/ * o f g dgg? zMMgr fgmo/3 / *o«gAf fwg/y wgfg gygfyoMg gkg f / w g ^ * ï c t m o g m o ^r « o * f/^ g n y f iMfo o y f o/ffWe WMOworg * o f /o m /gM o/o»g *of Ate o jwrvNmg jp g ^ ^ f ^Ag// OggOMWOgAgff /g ro w fwo^A/ MOW (bMg ^Mfmg W o Mfy /w b*gr fgg) Awfgoj my gyg/idk anowWier * y owAgf M/g/Hÿ wAgM/ afore of fAg cefAmg age MofAfMg My AoMck freMiA/g q /k r awd&M repeofa/ offocAa OM fAe rfafmg AreW okwgA (/)» eoMawMW A}» AoAfmg fAgae * y ^ oa My demae Aoc^ /eoma Agow(y fnfo fAe AffcAgM cowMfer affrrzMg wmdler fAe freMKMdowa ocAe q/^awd&MpoaafAfAAea or MwyAg yifaf o /«Mg? q/]^or gTiowfMg wmder My Aeorf fAof fMfAg gW fAere woa oM/y one rooplicability o f socalled cyborgs towards more economic/ecologic stability m the lives o f the less privileged', m other parts o f the world, as well as m our very own afduent nations. Most o f Aem, again, women. And I continue to be surprised at the pevailing popular status her essay enjoys. But Aen, neiAer can I pretend to satisActorily cmrqnehend the meaning o f Haraway's essay, nor quite the direction o f her creative Aeoiizing, th o u ^ I read A e ngns and skim Ae surAce A r dues to how she arrived at her findings: I ask myself - have I missed an inqxntant introductory message to all o f this, is A e notion o f the cyborg stillm th e im%inary or are we Acre already and I have missed a stq)? / m i l supqposodto stuidile along through A e twilight codes o f oeative n y A vosus mythical oeation, mumbling inarticulate contradictions, madly resisting Ais schane o f gloriGcatirm o f the technoscientiGc Asion o f organism and machine? And what does she mean bgrcgrborgk, vdhere âsthwsckcGrutior^ andhovrckies she know A c story o f the creation o f Ae cyborg down A its (second A ) last detail? Because A e cyborg, it seems A me, has stu d ie d A it not only its stcny o f origin, but the story, A e final one, A e last recorded phase m the evoluticmary his-story o f man/kind. Because Ae cyborg IS the extension o f man, Aough, sadly, not o f woman, nor o f woman and man, but an extensimr o f his p o w a o v a , his lost consdence, thus, his alienation Amn bis own conAxt, 6om Ae very Weis o f his existence. How has Haraway managed A ccmceptualize a constructive role A r Ae cyborg with/m A e strata o f opfnMsions around A e globe? Or has Ae? Is A e idea o f Ae cyborg m itselfnotA e very in cam ^o n o fatriu n q rh an t system o f op;nessior^ and has it rwt been diligently Aunded on generous presumptions oG aed (and heartily insisted upon) at various insightAl periods Aroughout the turbulent s ta y o f creation o f Western Civilizatimi? To name A e two most thrilling and pervasive: the driven, coerdve theory o f domination o f Judeo-Christianity m its legitimizaticm o f man's supaiority A all, and women's A all but man, and 15* cartury inqirovements m Ae way Ae Donna Haraway, "Situated Knowledges", in Q/Aorgg, owf llWnen, p. 199. gx exploitation o f non-human life can be satisActorily jusüûed by ronoving the q*ihtnal context 6 om organic matter, taking die soul out o f this planet, settiog the st%e for none other than - cyborg, die ulthnate blend o f all dimt p ^ a r c h y has achieved. Cyborgs, being the essence o f programming sophistication, will do exactly what they are srgiposed to do: diaf s what machines have been for, ader all. And machines do break down, o f course, but there's really no surprise to it: replacement o f parts or the nAole is all that's required, evai die need for counselling or funeral sav ice needs to be put into its database. Yes, H araw ^ is cmrect in saying that cyborgs do not dream o f being saved, or o f community in the tradidonal sense - but only, I think, becamsethcy arc not siqiposed to: they are, after all, the direct, executive extensimi o f the patriarchal signider, and good litde computer-soldiers that diey are (provided the microchips are functioning and dusted regolarfy), they will keep operating exactly die w ^ we remember them: hightech inedictability is mucial to the interxled outcome. What is so amusing about this idea o f the cyborg? I can laugh about it and throw a tandrum at dm same time, since the privatisation o f dus planet is the end result o f the story o f creation as told duough the code' o f honour o f the cyborg, the most precise gesture yet - o f men o f power. At one point Donna Haraway rem em bas his:story, as a scene we seem to still enact globally, and die stops hm divolous chatter and admits diat "the main trouble with cybcags, o f course, is diat thqr are the illegitimate oSspiing o f militarism and patriarchal capitalism, not to mendon state socialism."^ But before the reader r%ains her senses and «brides "ho, ho, try /egitôMo/e ', die tosses out her next words, thinkmg to gloss over the damaging findings: "But illegitimate ofkpring are often exceedingly unAithAil to th d r origins. Their 6 thers, after all, are inessentiaL"^ And here we arrive at the crux o f her cyborg equadon. W hidi it is no equadon at all, because cyborgs, th d r Athers' offspring, are anything but ill%idmato, they come com plde with copyright, provided one Ends oneself in the fbrtuate ecrmomic bracket to p ty those outrageous sums. And the c y t x n g ' s ( f o r example the CEOs o f the 500 or so TNCs that govern global restructuring') continue to let us know diat they are not inessential, not at all. ^ Donna Haraway, "A Cyborg Manifesto", in Cy&vgg; a » / IKwign, p. 151. 95 Am I a cyboig? I wear glasses, I drive a car, I rely on tedinologiGal/eloctmmc expatise in a myriad o f ways to help me through the day, through hfè. And yet, if this is so, don't we need to question our own complicity in a systan o f knovdedge producticm that is so cleverly rooted in the continuity ofneocolomal hegemony and the dlusion o f dectronic Donna Haraway, I need to ask - w h a e are the women as equd, martally, psychologically, qmitually released, activdy participating agents in your story? You arKkogenize the cyborg's sexuality in an e fb rt to m a k them - him- palatable, less dneatening, easier to conGde in and imitate, or fbHow - where to? What is it that ought to make die cyborg an attractive idea? Without addressing quesdons o f social oppressicm w ith-in the daily, lived eoqiaiencos o f women around this planet and readjusting paradigmatic conventions o f domination to redistribute cultural wealth, how do you think that women can possibly look darward to a level- playing field.....? So die medianization o f diis world has meant accderated exploitation o f all vdio do not bdong to die masculinist o rd a particularly all non-human life Amns. The irony o f course is that die non-human environment - including air, water, sd l- as our existential DNA - ought to be at the top o f the list if we are planning to hve a hrture at all. And who, so far, has suf&red most Aom patiiardial invmtions, cyborgian models designed to probe, diminate, extract and intavene in the most Ar-reaching places on this planet? That's right, women have had to suf&r physical^, mentally, qnritually and anodmially in ways that are continuously illuminating and continuously siqipressed. And wmnen have had to locate thcmsdves and each other in various podkets o f this planet, and tGght dus juggernaut attempt o f dloicing those Who do not belong to the su p aiw signider. For w om ai to take the cyborg saiously as an alternative visirm out o f presmt politics o f oppression, its ideological make-up would need to be revolutionized, followed by the notion o f individual accountability contextualised within an ethics o f care. The question then becomes: who owns and programs the cyborg? By rdiat unforeseen change o f insights into the In or foArtcr (p. 87% Ariel Salleh tells us that "some 500 transnational cotpmadons account for two dnrds of all trade Of die world's 24 largest conqianies 8 are in electronics, 5 are in oil, 5 are in motor vehicles, 2 are in food, 1 is in building materials, 1 is in chemicals, 1 is in tobacco - hardly life-adirming activities, (as quoted &om UNCTAD, New Ymk: UN, 1995). 96 possibilities o f interrelatiaoal nnrtming wonld there be desire located W ndi wotdd th a i lead to a permanent and «revocable invention o f a contextualized sense o f cyborgian self-with-in commnnity? In its preparatmy and Amndaticmal hiszstoiy, the cyborgian m odd has answered to one quest only: how to maximize power-over and ranA rce it on àü pianos o f htunan inte/rolations. The cyborg IS the master's tool, and ^ such possesses all the characteristics to maintaim the powa^-over, and nmre to conqireheod and execute the power-with, the deliberate sharing and commitment to a caring reqrect for diversity o f all human and non-human life forms on this planet. I propose that the story o f the cyborg is die Hadequin romance o f die electronic age. It uses a certain alluring vocabulary, which hides the same ideology o f the fdiadus, reinforcing male superiority cm all levels imaginable and then some. It serves to amuse, distract and further manipulate those who need to be distracted and/or reassured. And dually, die story o f the cyborg may well act itself out as a charming masturbation tool for the master: diere's nothing Eke a daily dose o f s^fgloridcatioa to boost one's ego^. The consequmces are beyond serious, however I suggest that if cybmgs are die ccnnbined identity o f machine and human body, then it is not mdy wmnen in malindustrialized countriM who can boast o f cyborgian identities but most dednrtely wmnen in the socalled Third World. What about Western politics o f birth control in Third World countries, the &rced inqdants oflU D devices in womœ's bodies, their fWering, and the suffering attached to it? Mira Shiva draws attention to the total lack of accountability that charactenzes the drive Ar womm to undergo tubectomies, for which Snancial incentives are on o d * not only tor those vboaccqit sterilization but also for the dnmily planning workers. In a social context vd*rc litde change was attenpted in aother areas, coecion was the one stick seen as a means to beat the population growth rate. The costs borne by women were all too apparent in a violatitm of their dignity and a denial of their r i ^ to unbiased infmmation, to safe and efkctive contraceptive care ..Curiously, long-acting, iryectable contracqitives are considered safe and edective h* anaemic, malnourished and underweight Third World women, while in the North, recf^nidon of the hazards of hrnnmnal doses have led to minimizing their use in the cmitracqAive pill"^' Coercive depopulation policies seem to have been devised, not because o f ridiculous claims o f overpopulation in Third World countries, but "to s a v e the commercial interests o f the Further readiogs on critical inquiries into cyborgian identifies as the fusion of human self and technology can be drund in Melanie Stewart Millar, CnadbrtF the Gendkr G o* (Toronto: Second Story Press, 1998), Carole A Stabile, fgniWsM and tAe recAMo/ogrm/^, (New York: SL Madin's Press, 1994). Maria Mies and Vandana Shiva, Ecrÿkmmtn» (1993), p. 292. 97 mnlîmaüooal pharmaceutical cmnpanies;"^ In addWon, it seems that in Bangladesh "stailizatioin is pafbnnad without piioT examination; even pregnant women are sterilized."^. What about the ef&els o f the cyborgian worldview, that needs Third W odd countries as a raw energy source (again women, nature) to aisure siqqdy? What, I ask, are die ediical inqdicadons o f needing the cbeq) labor pool and Anowing that we live ofT the increasing misery o f odier pecqile? ^Ibid. =^Ibid. 98 owfOMffy a/if eak/wrilB nry/self and Arever babble on why it is I carmot m true consequence speak A r h a /A a n ..... "With each sign that gives language its shape lies a stereotype of which i/I am boA the manipulator and the manipulated. Transposed onto another plane, such is tl* relation, Ar example between we, the iwtives, and they, the natives. From a voluntary to an aiArced designation, the distance is plain but the sppeaiance remains intentiooally ambiguous. Terming us the "natives" Acuses on our innate qualities and our belonging to a particular place by birA; terming A «n the "natives", on their being bom infieriw and "nonEuropeans."^'*' The problem is fuiAermare compounded by A e fact that I am Grst generation immigrant mA Canada, and came wiA my eyes at least half opm ed to A e torturous past and presait o f Ae Native peoples m Ais country. Cowardly, I Aar exposing ray whiA, coloiuzing Ace A A on: it is that I still act m my daily liA as an accomplice A A e presatt-day situation o f powerlessness and oppresâon o f Native people. And I am! I am! Because I came here, into this great country as part ""Aid.. Trinh T hCnh-ha, IFiamgn; Aoirve, OAer, p. 52. 105 o f anoAer enropean colonizing sweep, not part o f A e shoebox immigrant following W W d War II, but as A e child o f container immigrants, Aose middle class professionals 1^0 came m A e early 80's looking fm liberation 6 0 m A e Cold War politics/arsenal threatening the stability o f Western Europe. Having chilAen o f my own now, my personal mvestment m staying has grown twofold. "ïiistai, listen, listen, lii#a), listen, linai, listm, listei, listen, listen, listen,...Count ytxir privileges; keq; a list. Hdp others see them Break the invisibility of privilege."''*^ Already I td l my dnldrem about A e story o f participatory colonialization, about our racial p riv il^e, built as it is on the strategic Asspiritedness and homelessness o f Canada's indigenous peoples. What is the point? How 6 r will I go m prudent sdf-drastizcmcot behire I turn and Gtmtinue A claim nqr ownmship share o f Canadian racial politics? While I write Aese lines I hear Lee M arade telling white women to move over, A make qrace, and I clearly hear Marlene Nourbese Philip when she suggests coqAatically that "writers coming from a culture that has a history of oppressii% Ae one they wish A write about would do well A examine Aeir motives. Is their interest a condmiance of Ae tradition of op^uesnon, if only by seeing these cultures as diSerent or exotic, as other? Does Aeir interest cmne out of their belief that their own cultural raw mataial is washed up, that just about anything horn Ae Third World is bound A gamer more attention? Is it p e A ^ the outcome of guih and a desire A make reccmipense? .. .Writers have to ask themselves these hard questions, and have to undastand how their privil%e as white people writing ohowt rather than (Nit of another culture virtually guarantees that their work will, m a racist s(xnety, be received more readily than the work of writers coming hom the very culture." I hear her, I also hear her appreciate a definite, articulated sense o f humility as a small step writers &om Ae dominant culture can take. I have not become a (ausader but am just living my own small life. But, I say wiA rebounding enAusiasm, I can bridge Ae distance A Native wommi dsewhere on our planet. The g ^ does not seem as abysmal: I have not (xxnqiied Aeir qiace, nor taken a w ^ Aeir power. Ah, and already I am busy denying my conq)licity m this racist merry-go-round, because o f course I am dis-enqiowaing Aem, being bom whiA, middleclass. However, A e qiatial distance eases my guilt-ridden cons(âmice which preArs A e thought o f indigmAus peoples far away, m situations whi(A are not befcue rry eyes: A e abstract Native then becomes Ae ^"^Anne Bishop, (HaliAx: FemwoodPubliAing, 1994), pp. 97/98. Marlene Nourbese Philip, "The Disappearir% Debate Racism and CensonAip", &om Zamgnqge A Ifntrmig and Gendgr. LAby Sdreier, SanA Sheard, and Eleanor Wachtd, eds. (TonmA: Coach House Press, 1990), p. 218. 106 comSortable Native... and to read and contenq>late, the far-away Native then blends ccmfbrtably into the doqaent, the heroic Native, turns into the intellectual jw rm tt white pet^le are so 6md of. But Trinh T. Minh-ha, bell hodrs are not 6 r away. Nor are they comfbrtaWe. When I read them I become the white Ae, as the whiteness o f my skin seems to override my sex. I can no longer hide bdiind Aer curves, the curves o f womanhood, and while I ddiberately, thoughtfully and with great sadness wade th ro n g their outpourii% ofreBectimis, rage and grief I cannot proclaim allegiance to (Aen%eô^ sisterhood. has hrmly established me in the discourse o f dominance where I sit as backdrc^r-otAer and listen to her, Trinh, tell me widi a cynical bend in her voice, o f what it is like - alw ays-to be insmibed as A/bAve: JVoAve-she. I want to cry T do, I do understand some o f what you say, I empathize, I boar witness', but then my prison does not suQbcate, does not colhgrse me in its manyfold combinatitms o f sex-race-class—. I read Trinh's accusatians o f Aim as a reflection o f m y/self the traitor, the conveniait by-]podact o f Air indulgence. WhM must I do? Is it then, Janice Williamson adcs Lee Maracle, "up to me and odier wmnen like me to try to work out in ourselves a space vdnch is self-critically enabling and doesn't aMnopfiate."^''^ To dus Lee Maracle reqxmds: can't answer that question for you, you see, because I'm not undoing the dilemma you've been caught in, and being (kprivod o f me is a soious thing far you to pursue and undo."'°' While bell hooks says, in "Choosing the Margin as a Space o f Radical Openness"^^: "I am waiting for them to stop talkiig about the "Other, " Lee Maracle's reqxmse suggests something else: to her the colonizms" intentional deprivation o f the N ^ v e otAer is extremely saious, not merely because o f the elemental mjustice but because the entire idea o f the co//ecAve, the potential o f eventually reaching the affirmation o f co//gcAve stays hnever unattainable as Irmg as we deprive ourselves o f the enabling diversity o f what we term otAcr. It is an urgent appeal to begin to conmdK past and present colonizatiom o f Native p o tties h o m a (w)hoIistic paqiective, nurturing 104 Janice Williamson, (Tonmto: University of Toronto Press, 1993), p. 168. ™ Ibid., p.168. bell hooks, "Choosing the Margin as a Space of Radical Openness", (New Yodc Routledge, 1997), jqi. 145153. 107 in ourselves a deep desire for inclosiveness and Ae correqxmding ccldxation o f diversity. Dqmving ourselves in this way is saio u s indeed. I contend Aat we - A e descendants and still active agerds m direct and indirect colonizationwe are not trained A become allies. Public institutions - through a complex web o f politic dynamicsmay have bear forced into presenting, "re-presenting', A e written testimony o f the colonized, but we who are being trained within these institutions cannot lay claim A being trained as allies. RaAcr, A e purpose o f these educational "boot camps' still seems A lie m Ae ahdity A % gresâvely critique: A presume each text some Atmg which we must eAAer take apart wiAout putting it back tx%ether, or re^nesent it m sudi manner that it now hts m wiA and proves the theorizing notion o f the day, edioing however liA e o f the original voice. As a consequence, we End A at we lack Ae skill and oftentimes even the interest A pause and think what this text means, whal/who it appeals A, what/how its voice speaks. And what about its tone, its complicated gestures and mimicry, its ideological "urr^peakability? They are more than text A be dissected, reformulated, saatched A see ^ h a t hrqqrcns A those words, so o ifT and 'OAer' Asrppear and we can go on A Ae next (me. What are we A do about this business o f oA er? How are we A read sudr a text and not perpetuaA its sad truths o f colcmizing oppressimi? How can we read and work through text as less o f a (xdoniza: and more o f a Aoughtfiil ally? Or does bell hcx&s already preclude such possibilities m simply saying that "I am waiting for Aem A stop talking about A e O A e "? How can I meaninghdly understand Ais text and not immediatdy All inA A e seaningly bottmnless hole of'oAering'? I am not a black woman having had A Gght oppression m Aose all-consuming ways: thus I lack A e expcximce as well as the foundational understanding o f what it could possibly mean A grow up wiA-m-tbrough (xmtinuous struggle A be seen and heard. A multitude o f dimensions is missing which would facilitaA a meaningAl (this word is A e only one I hnd I can use A (xmvey something like req)ectful attitude Awards the speaker/wriAr) reqmnse. And y ^ I would like A! I think I would truly like to eng%e wiA Aese writers and learn reflective courtesies and a desire for critical self-redecficm that would be wehxaned by writa^, reatkr and auAence, berause it transcards deconstruction beyond m e e play o f ideologically sensitive, sdf-contained semiotics and seeks A promoA s(xnal change. 108 What has social change to do wiA anything? Everything. Why did b d l books feel compelled to write this text? Even I readily admit that A e cntertamment value o f a writing like this has yet to be found. It seems analytical, descriptive and reflective wiAont being qreculative as to hitnre place(s) o f chosen marginality. By being vAo I think I am, I have aheraly engaged m oAering' this text. Without meaning to, I am rein&adng A e hegemonic patterns o f domioation since I am only slowly gropmg my way towards becoming an ally. What can I do as potential ally to Acilitate b d l hodrs' desire, unless it be ceasing A talk 'oAer', ceasing to talk - at all? And yes, reading bell hooks' text I am sufRaing for her, her people, for, once again, the colonizers' calculated dqmvation o f divane difference, and recalling Lee M arade's words, I suffer A r my own mcomprehermve loss, and A d A at one signihcaA step towards damotKtrating my qqneciation and limited understanding must be the voicing o f humility'°^. As the articulated gesture o f my desire A becmne her ally. While I q^reciaA that A e is waiting for them-me to stop talking about Ae oA a-her, I want her to know that I cannot just mot talk, since not talking will guarantee Ae status quo. I need h a A suggeA alternative ways o f talking, but that wish, once again, stamps me Ae colonizer. A her essay "Age, Race, Class and Sex: Wmnen Redehning Difkrence", Andre Lorde summarizes this op^nessive strategy: "Whenever the need for some pretense of communication arises, those who proGt Gom mir oppressirm call iqxm us A share our knowledge with them. A other words, it is the responsibAty of the oppressed A teach the oppressas their mistakes. I am reqxmslble fix educating teachers vAo dismiss my children's culture in school Black and Third World petqrle are expected A educate whrA people as A our humanity. Women are expected A educate men Lesbians and gay men are expected A educate Ae heterosexual world. The oppressors maintain their position and evade reqxmslbility Ar Aeir own actions."^'** While the notion of humility to bridge chasms of otherness is as old as humanity, we End not a trace of it throughout the entire range of postmodern discourse analysis. Each analysis of power, reason, authority and difference undertaken by dominant Ascourse is obsessed wiA claiming space, asserting itself even A the tune of endless defbrral. Even dominant, i.e. Western, feminist Ascomses threatens A get lost m the rules of the deconstructive game, their valid points disappearing m Ae shufBe of Gagmentation and strategically mconclusive interrogation of potential subjectivity. Any posonally emotional and seemingly submissive notion like humility has been regarded wiA the keoiest Aarust by those whose theorizing eSbrts are unwilling to link theory A the working process of social change. Whoever sets out A become an ally m any area of (qrpression, is deeply aware that it requires all those emotkmA mvestmeAs and unwavering commitments much of postmodon Ascourse sets out A avoid. A this instance I was thinking of my own surprised and gratiGed response A Marlene Nourbese Philip's mentiaiing of Immility as the ingreAent m Margaret Laurence's short story collection The Tbmomw Thmer "That sense of humility is wAat has been aordy lacking m the deluge of justiGcations that have poured fbrA m suppôt of the riÿrt of the whiA writer A use any voice." ("The Disappearing Ddrate", Language m Lfler ToronA: Coach House Press, 1990), p. 219. 109 I agree that it is significant and vital that the "marginality o f p riv il^e' bell hooks Snds herself situated in, be 6miliarized and thoroughly econoinized, but only, I would suggest, as a transitional zone, on Ae hopeful journey towards A e sh^gnng o f a language which situates itself as a place not so much o f struggle but o f taidges, o f pleasures, and o f comparative peace. Challenging by all means but m a rewarding sense o f restoring s d t o f cultural and cross-cultural hmne-coming. Looking at b d l hooks' posAoming in ha^ chosen margins, 1 - qieaking as granddaughter colonizer and want-to-be ally- question what Ae long ta m eSects may be 1^ choosing' to stay with/in Aose margins permanently. How does this Aen aGect Aose whose margins are imposed laAa^ Aan chosen, vAose struggle for articulation precedes hers - nxneover, whose struggle A r articuWion may have priority because o f debilitating economic poverty, which annihilates choice? By settling mto this validated (by A e colonizer) "margin o f privil^e", by electing h e rsd f and b an g elected as a spokeq)erson A r those o f the imposed margins, by growing into Ae role o f mediator who (un)Artrmately becomes accustomed to satis^ her bodily and many o f I w mortal needs within the liA arm a o f Ae cblonizer, will she not forget? Who is Acre A remind her m this chosen qiace r ^ c re Ae daily grind has shiAed into Ae world o f comArt and (complacent) language o f the colonizer? Can her identity span such diverging sense-of-self polarity wiAout internal Augmentation and/or external distortion o f the whole notion o f struggle against oppression as it plays mit among those less fortunate", who inhabit A e "oAer", imposed margins? Those she is, m reality, qieaking for? Hooks also writes o f sufRaing wiAin Ae chosen margin, o f never truly arriving. Ans never staying. She writes o f dying Acre, too, due A new forms o f isolation and Ae sevaing o f links A A e "dowrAome" liA. Throughout all, she emphasizes the notion o f "language as also a place o f struggle". A a circular reading o f her text I return A this {Arase as a potential catalyst ft* a reconceptualization o f language as not only a place o f struggle for the dis/possessed aad colonized A articulsA Aeir sdlves, but also as a place o f continuons struggle and welcomed chWlenge where langu%e is being s tra t^ c a lly designed by colonizers and colonized m a collaborative eGwt to allow a coming- togeAe^. Foundational agreements must be reached A the eGect that A e colonized must be Ae ones to decide on process and contait o f this collaboration. A transformation o f the colornzers Aror%h ^"^Audre Lorde, Oatndez, (Freedom: The Crossing Press, 2000), pp. 114 - 115. , guiding parametcfs set out by (he colonized seems a basic requirement if language is not forever stigmatized as eternal re/enactment o f stalemate. M ^ te we need to recall Lee Marade's encouraging words to remind ourselves of the hope that lies in becoming allies. "I think it's a devotion to be cntical of White &minism. I think it's a kind love and devotion we have inside us, and it's not seen as that. It's seen as pain and rage. And it's not! Otherwise I wouldn't botha talking to you if I didn't you were prepared to listen."'® To becmne an ally requires passionate desire to du8 paradigm and keen listening skills. To train someone to become an ally requires passionate desire to shiA paradigm and teaching skills. Maybe what we need to do is reflect on whether we have what it takes, then heme the necessary skills and in the meantime always, always keqi our ears and hearts open An (he voices which talk about Aow the shiA can be acconqdidmd. Could be we are not Aero yet Could be we are at Ae beginning of (he process, where wiitors like bell hooks and Trinh T. MiiA-ha need to establish Aeir Arst stronghold, Ac chosen margins', to erqrlore mrd envision, and where we-Ae-colonizers need to do more niticd Ainking and listening in/to wiA respect to our desire An change, and begin the ritual of practicing allying, maybe similar to the deeply attentive wiys m which Aihnacan women m ncnAem Colombia mxAet Aouldo^ b%s, that ancient custom of "crocheting hA." "Based on my own m^erience, one always has a thought, a dream when cnxheting a shoulder bag At Ast, one thinks of how to make the Ast knm to start connectiig and then the stitdies and then where to go m order to make the should* bag the right size One is always occiqried wiA Aese thoughts. When we make a shoulder bag we think about who it is for. It is a very qiecial event when you make a shoulder bag...Ar someone to whom you w/ant to show a lot of love and hap;miess. You think about the pattern acconhrg to the person. You think about someAing that fits mwiA Aepmson, wdnchhas the appropriate texture, colours and pattern Ar the person. One thinks of all this and continues crocheting and crocheting until the combinations of colours Ar the particular person is achieved. Each should* bag is essential and marked by anxiety, aqnrations and dreams.""" Lee Marade^ m interview wiA Janice Williamson, p. 169. Leonor Zalabata, in "Keq)iiig Traditions Alive", Aom JiwAgBnoiw IPbmgn. The TÜgA to o Tote, p. 32. Ill om mm wornem; fef w (rwfA fAo// f ever A»ow}«u AMOW}%w /Ae way )/ow (rwgfyowr awrvA'wg wf(Afo yowra ow&fdle my morbmga eccA <^)'ow ao aAa// ! ev6r commA of/ e ^ rfa mggdW (Aaf coMvincg yew f core Aeyowf a AAwA !Mmy (6%nMa my afqw c/oagr fo yowra ZMmyzWomw wAf/eyowra Aeqw AezwAmg my A(xÿ/ Aemdk dbwm wzzAyzw wordZeaa(y we co//ecf ^rewooaf o AAq/^/wmvaa* aHejzAzmg zogefAey we mwy ae/ owf om /Ae düf/y / h v m*//e wo/A /o co//ec/ c/eow wa/er dio woaAzmg m /Ae aewera meorAy /Ae Gamgea o r a p u re mzoum/o/m a/ream; grrmdeorm p A y wz/A our cAz/drem /azzgA wz/A /Aem; /eacA /Aezm g/we A/r/A /o /Aezm wa/A our Aodzea /ArougA /Ae crue/a/ meeeaazAea zm your /(/& /Aa/ a 6 o Aecozmea zm/me wAem z zA-ezzm zÿyou azuf wAem z dneazm q/you z a e e y o u r^ c e azufyêe/y our Aoo^ Aemd ozdy a/zgA//y away ^ z m zz* aa *y/a/e we a re ao e/oae zzz zzy dreazm z azzzed /Ae awea/ om y our aAzm azuf Amow /Aa/ a / /eaa/ /Aa/ Aaa cAazzged /Aa/ fzz/o zzy waAzmg Aoura z azz; a/ao /earzzzzzg ZOawea/ uzu&r /Ae rzamg zzuzom q/"comaezouazzeaa w ord/ zzzua/^Z /e/ zzw aaAyou /A/a Aave we ezz/ered a zzzozzKzz/ 112 io wA/cA yow cw! evem f faW fo Aew me /Aof ; woMf A) am /gomA%^ fo ref^gn My ro/e Of accoMÿV/cg m (Aw co/owizing evf/ (Aaf : woMf fo owf W / m y g A) Aomor vAaf)wa Aww Aa<$ aA w yy Aegm^woM a%(y&e/ fAafjyou oW ; oW &Ae OMffgAe Mwy jW k Ay «A& fgff/e dbwM a w (%^reMf ae/vea; Amp Ô! mwfwa/ jp/ewAcf eogg wode /ArowgA riveM foggfAer fArowgA rfver; foggfA er 113 T h a t are many o&er Arms in which women ccane togedia^ in ihe mnWally validating experience o f allying. The area o f genital mutilation is one example, where women widiin (me speciGc (nihural (xmtext can Bnd sinpiising ways A ally with each other in quietly subversive ways. According A a documented rqport hm n the US Centa^ A r Rqncxhctive Law and Policy and (piotcd m Eve E nsla's Phgtnn AAno/ognes, A e chief 'cattef m the Capital o f Guinea, Aja Tounkara Diallo Fatimata, conAssed that A e had never actually cut anybody. "Td just cinch Aeir cliAiises A make Aem scremn," she said, 'and tightly bandage them rqi A Aat Aey wralked as Aough Aey w o e m pain.'" AUying straAgies are - A m y understanding - Ae most hopeAl and detemiinedly traisArmative ways m which women - cultural misisters - siqipcrrt each oAer and b ^ A i the journey away Aom patriarchal mutilaticms o f fonale sexual and spiritual bcxlyconscioumess. There is also Ae ally who —in ste p o f explicitly fcnming networks and alliances - wcnks under cover, cpiietly and deveily, who uses her talents and energies A subvat, midehne meaning and reattach what was denied m Ac A st placA. These are A e herstorical reisistas, who left Aeir signature as p ro o f- as if Aey had known A at hiszstory would pass them over. By un/covaing A e lives o f womm, learning Aeir names - all necessarily attached to bcxhes- throughout hiszstory we gradually bring mA mlief her-sAry, not A give superior meaning to but A ground our selves, A highlight, to emphasize, A celebrate, A egqnmd paradigmatic horizcms and consciously cross Ares/holds o f new and w is a beginnings. Digging iq) my own hastcnical, cmltural gardm, I A id Ae w oA o f Gisele von Kerssenbroek (around 1250 -1 3 0 0 ) who lived m WestAha as a nun, auAcn^ and scholar. She also taught calligraphy and wioA A e Codex Cwe/e, a ridily decxnated m d painted bcmk containing m chronological cnder the music and lyiic% o f Ae church year. Inside Ae initial P - starting A e text "Puer natus est nobis"- A e painted a delicate miniature picAre o f the virgin Mary reclining m Ae Areground, reaching out to claim her newborn son Aom Joseph. The gesture expresses mutuality, the inAnt is drawn m the exact center o f Ae oval, and Mary is most aiqhatically Slling oA a solid Aont third o f the pichne, drawn larger, m AcX, Aan her parAer. Bw what is most ranaikable m this pichue is Gisele's signature, small but deAiite, painted as i f sown into Ae Aids o f Maria's bedding. While 111 Eve Easier, PbgniaMiWoigwa; p. 92. i Gisde still re/presents Ae earthly image of Ae Madanna-Viigin, albeit m a selfeonhdent style, she has managed to insert ha^-soK her physical insignia, into Ae images she m turn creates to reinforce Ae status quo, though wiA an ever so slight Aminist rearrangemait. Here we are looking at testimony of a woman's body and intellect In our quest to unearA w om b's stories, we are raninded again and again that without Ae body. Acre would be nothing to un-cover, we would be left wiA only Ae phaUogocentric recipe for what woman ought (not) to be. That dimension alone propels us toward an ^xprecietion of vAat women's bodies are capable o f O f Ae bo(^ w% cannot do with/out. And what aboA the mother-daughter reconûguration? Particularly m today's m creasing divisive social envinmment, m oAas and daughters hold togeAo: much of Ae wmn Abric of family and community. As ever, women - young and old - are the caretakers of men's, Amilies' and communities' {Aysical and anotional, psychological and qnritual inûastructures, and - on top of Aeir many oA e tasks - must woA hard to r%ain and/or mnmtmn any sense of counection and mtimacy wiA each oAer. The following examples taken Aom interviews wiA women around Ae world conv^ the serious issue of moAer-daughter allying m patriarchal conditions, alwtys precarious, ready to disintegrate into distrust and isolation. "I was abandoned by my mother, I would not do this - if I had to hve under a bridge, my children would go wiA me. I am not only a mother to them, I am a &iend and a clown I worry a lot about about their futures. I do not want them to marry at an early age. I want then to take advantage of life. I want [my daughters] A study more than I did and not be dqiendent on a man I want Aem A becmne people able to stq>port themsdves and the Amilies that they will eventually have; A have their own proper houses; and A provi^ a better life Ar their children than I am doing Ar them." "The Chinese character fin peace is a woman und«^ a roof; My mother's life was harder. The Amily lands were too small A provide much comfort. We had enough food, but not rrmch clothing. And my nAtfmr had bound feet. Because her Aet were so short - abord three mches long - she Aund it hard A work m the fields. She was always m pain Aom the wnqrpings that bent her toes under her foot, and could not do what she wanted A do This traAtkm was not good, very cruel. When I was a young girl, I did rmAing A he^ her. I didn't help her clean her Aet. I just wanted A do fmm wmk." "The children work very hard, especially Like (the 10-yr. old daughter). I never saw her play. She will never get A go A school, alA ou^ I think she wants A. [Zenebu Aids her daughter mAspensible at home, where she helps A watch the younger children, grind grain, collect Aewood, patiA the house, and fetch water.) It's hard lAt A wonder what will happen A her m ten years - will her HA be exactly like that of her mother."'" Conversation with Maria dos Anjos Ferreira/Brazil, m lyAluisA, Faith, and Peter Menzel IFbmen nr the AAderW IFbrkf. (SanFranmsco: Sierra Club Books, 1996), p.48 Aid., coiwersatiom with Guo Yuxian/China, p. 50 Aid., authors' refection on ZeneW and her daughter erLike/Kenia, Like/Kenia, p.81. 115 ^ fAir apeckfcwZor momgMf q/^Aü d e ^ f wAem Ae Aegow A) reo/ize A^ fMqge q/"Aer r ^ e c W Ak pe»e(rafAzggozg fe/zwed fo ayrnw m a AroAew A a^ weoMMg^ o ggf q/'AAzcAAzcy wMzkrweor ^Ae wog &)jOwWe A ^ rg Ae vfo/ofezf Aer o/mwM/ m fAe womemf q/^Aw f Ae A/rmecf Aer je(^ WKf^MO/(y WfA erweW care enamorezf Ay Aer eerfa/m/y q/^foo maqy yeoMyfe/dezf fme/oqweMf MiMe/y iKomam eawAozw/x f Aeyomzf (Ae reaAfy q/"a pAa/Ae cwA':; erwrnAAmg^cadle Aeyowf«K&e&$ aWqppearezf aaf q/"(Ae Ake y«e q^Aer dk/^gyeorAzg eowAAow A vaa (AeM m (Aw mame7A(twj^ apace aAe awf / Aegam (Ae ca»Ama(y q/" percefv(»gAer f»a(Aer co/;^d