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Twilight Any Afghan Whigs fans out
The Twilight Singers there? If so, you’re going to
Columbia/Sony like Twilight. Headed up by

Afghan Whigs frontman Greg
Dulli, you can tell that he was
behind the mastering of
Twilight and is the concrete
holding The Twilight Singers
together.
After being shelved for over
three years, Columbia finally
released this CD, and so far it
is getting rave reviews among
the alternative scene.

The Twilight Singers was

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hard house but look out d&b lovers.

Soun

The I6 Rave at the Prince George Civic Center was great if you like

originally supposed to be a
collaborative effort between
Dulli, Harold Chinchester of
Howlin’ Maggie, and Shawn
Smith of Pigeonhead,
Satchel, and Brad. The early
recordings for this CD sur-
faced long before the Afghan
Whigs most recent release
but what came to be known
as the “Twilight Singers
Project” was picked up again
by Dulli afterwards. He enlist-
ed the British duo Fila
Brazillia to add a bit more

-Kevin Milos] jis:

tumes which scared more than just this photographer.

-Kevin Milos

Wicked - A rave at UNBC on Halloween brought out lots of cos-

ny

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electronica and heavier beats
to Twilight. Having their roots
in British acid-jazz, Fila
Brazillia was more than
happy to oblige. Generally it
is agreed upon that it was this
move that separates Twilight
from any former Greg Dulli
solo project.

Don’t be fooled though.
Dulli presents his trademark
melancholy style, “dark and
mysterious, brooding and
spellbinding.” With Fila
Brazillia adding plenty of

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BS

funky beats along with their
“soulful inflections,” Twilight
makes use of lots of horns
and strings to bring the com-
pilation together.

It took about 20 people to
create Twilight. The final
product has been best
described as “a sort of sad
acoustectronic soul.”

-Kevin Milos

What’s cool about Southern Cutlure
(not the CD)?

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