January 24, 2000 SoundScape Over The Edge Page 7

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December 2nd'’s triple bill
at the Multiplex was one of
the most anticipated concerts
of the year, and did not fail to
deliver. Gob opened with their
high energy punk, obviously
having a blast and ticking off
more than one security guard
while doing it. Pulling fans
onstage and jumping on top
of the speakers, Gob was
hilarious to watch and their
“music was ideal for priming
the crowd. Songs like “Paint it
Black” and “Soda” were huge
hits with the punk fans in the
audience and the moshing

Those of you who caught
Wide Mouth Mason’s
November 29th show at the
Generator don’t need to read
a review to know it kicked
ass. Wide Mouth Mason has
one of the best, if not the
best, live shows in the coun-
try and they put 100% into
this one. The opening band,
Left Pencey, got things off to
a good start. With a mature,
hard-edged sound, Left
Pencey was a pleasure to lis-
ten to and I'd say they have a

Gob,

started early in the night.
After a fair sized intermission,
Matthew Good Band took the
stage. Opening with “Giant,”
the first song off their new
album “Beautiful Midnight,”
Matt Good and co. pleased
the crowd with hits like “Hello
Time Bomb,’ “Load Me Up,”
“Rico,” “Apparitions, and
“Symbolistic White Walls.”
They played a good show,
covering their hits and a few
more, but were a little low on
the energy factor... They
seemed ito get into it a little
more later in their set, and
after playing a great instru-

Left: Gob gets nasty.

mental “Thunderstruck,” flew
into a few rocking out num-
bers. Still, their show with
Junkhouse a couple years
back was much more edgy.
At the end of the second
intermission the Monty
Python classic “Sit on my
face” played in the darkened
arena. Abruptly the black cur-
tain was dropped from before
the stage and Moist exploded
into “Tangerine,” surprising
the crowd with its ferocity.
Moist’s new album “Mercedes
Five and Dime,’ which initially
sounds disappointingly mel-
low, sounded anything but in

Top: The crowd goes wild during Matthew Good.

‘Right: David Usher of Moist winds up the show.

promising future in Canadian
rock. Pre-WMM_ festivities
included the handing out of a
phenomenal number of ‘con-

‘doms, during which a giant

Durex mascot wandered
around mingling with the
crowd. The fellow under the
suit apparently enjoyed his
job, as he had more than a
few girls doing some, well lets
say interesting, things to him.
Wide Mouth Mason com-
menced the show powerfully
with “Why,” the first single
from their new album “Where

| Started,” and didn’t drop the
energy level until the very last
song was over. Lead singer
Shaun Verreault is a phenom-
enal guitarist, not to mention
the possessor of an amazing
vocal range, and bassist Earl
Pereira is a simply incredible
player. They made sure to
cover all of their hits as well
as some new material from
“Where | Started,” taking time
to jam and make things inter-
esting. Songs like
“Sugarcane,” “This Mourning,”
“Midnight Rain,’ “My Old Self,”

a live setting. Songs like
“Breathe” and “Underground”
were incredible live, as were
past hits such as “Push,”
“Resurrection, “Leave it
Alone,” and “Machine Punch
Through.” David Usher and
company put 100% into their
show, David repeatedly jump-
ing into the audience, even
continuing to sing while
crowd surfing. Drummer Paul
Wilcox donned a Cougar’s
jersey, which definitely
earned him a few PG brown-
ie points, and introduced
each band member as a
spice member, most notably

Wide Mouth Mason Rocks the Generator

and “Companion” were given
a new dimension in a live set-
ting. Wide Mouth Mason’s
bluesy jamming managed to
be musically brilliant while
still maintaining a groove that
kept the audience dancing
and screaming, a feat Big
Sugar couldn’t seem to man-
age at the Backyard BBQ.
Throughout the show blown-
up condoms floated above
the crowd, and more than
one bonked into a band
member or two. After a long
encore, Wide Mouth Mason

Matthew Good, and Moist at the Multiplex

(and accurately) guitarist
Mark Makoway as “Stoner
Spice.”

In all the concert was
intensely satisfying, and
brought some big city acts
and theatrics to our at times
culture-starved city. With Our
Lady Peace and
Stereophonics coming in next
month, we could definitely
start getting used to this.

-Michelle Dubuc

was finished, but instead of
running to their bus, they
hung out behind the back
door and met with their fans.
After personally complement-
ing him on the show, Shaun
just smiled and said “Yeah the
Generator, it never changes. |
feel like Kiss every time |
come here.”

-Michelle Dubuc