Museum anp Art NoTES 101 To those who knew some of those splendid ships it is well nigh impossible to speak or write of them without indulging in superlatives, for nothing ever conceived in the brain or constructed by the hand of man could excel the strength and beauty combined in a clipper ship. Graceful as a sea-bird in flight, sweeping along the Trades, or, stripped to fighting trim, emerging scarred but victorious from days, weeks even, of battling the combined hosts of Neptune and Boreas in forcing a winter passage round the Horn. Lowell, giving the Lion’s tail a bit of a twist, wrote: “Ah, when dear Cousin Bull laments that you can’t make a poem, Take him on board a clipper ship, young Jonathan, and show him A work of Art, that in its grace and grandeur may compare With anything that any race has fashioned anywhere.” Such was Thermopylae—a work of Art, and, as well, one more member of an ever-growing fleet of ships with which old John Bull was demonstrating to young Jonathan that he was not too old to take a lesson or give one. That was close on to three-quarters of a century ago, and John is a bit older and greyer now but still able to show a fair turn of speed. In Thermopylae everything that her designer could conceive which would com- bine strength with utility in a fine-lined hull was executed by the skilful hands of her builders. In their enthusiasm they crowned her main-truck with a model of a crowing cock, gilded that it might be the easier seen. On her eager bows they bolted a figure representing Leonidas, “the fastest human” of his day. All this seemed rather boastful in an untried ship and serves to show how keen was the rivalry then existing for supremacy at sea in the merchant service. But right well did the vessel justify the confidence of those responsible for her being, smashing records from the start. Thermopylae was designed by Bernard Weymouth, a naval architect and secretary of Lloyds’ Register. She was built in Hood’s yard at Aberdeen for George Thomp- son’s Aberdeen White Star Line, an old-established firm with a line of fine ships. She was launched on August 18, 1868; was 948 tons register; 212 feet in length; 36 feet beam; 20 feet 9 inches in depth, and was of composite construction. Capt. Kemball, who had been master of the tea clipper Yangtze, was given command and had her until 1877, when he was transferred to the firm’s new ship Aristides. Leaving Aberdeen in ballast Thermopylae went to London, where she loaded for Melbourne. Sailing from Gravesend on the morning of November 7, she arrived at Melbourne on January 9, 63 days out, but only 60 from pilot to pilot, a record never beaten in sail. In nine days she had made runs of over 300 knots, the best 330. From Melbourne she went to Newcastle, N.S.W., and loaded for Shanghai. This run was made in 28 days—another record. From Shanghai she went to Foochow, to make her debut in the tea trade. Here were assembled many of the fastest ships of the day, veterans of many races, and it may be certain that in view of the newcomer’s maiden performances she was the subject of much discussion and conjectures as to her future behaviour. Unfortunately, by the time of the new clipper’s appearance on the scene the cus- tom of giving a bonus for the first of the season’s tea landed in London had been abandoned, so that neither she nor the Cutty Sark, built that year, had a chance to match their speed in a race with the title-holders,