Oh, My Lord: Michael Flatley’s “Lord of the Dance”* *Michael Flatley not included. By Nicole Larson From the very first second that the lights dimmed and the druids arrived on stage with their torches the Multiplex was silent. They were waiting for the Lord of The Dance. strength aonqd grace exhibited by those extraor- dinary dancers h a d& never been seer before in Prince George. Intricate choreogra- phy coupled with excellent ‘costuming and soul rending music created an atmos- phere of excitement, fear and. exaltation for the audience. The masterful style and grace of John Carey, the Lord of this dance, drew from the crowd an air of awe and appreciation. His rendition of The blend of the role Michael Flatley made famous had a charm and charisma all his own. Carey's personal touches were a pleasant change from those of the more flamboy- ant Flatley, and his grace and a, & athleticism were passed. The two female dancers, Areleen Ni Bhaoil and Gillian Norris were also unsur- lead an awe _ inspiring — sight. Norris’ vivacious representa- tion of Morrighan’ the temptress was genuine and left the audience with feel- ‘ings of jealousy and desire. Formicate by Adam Brooks THERE'S TOO many PEOPLE IS THIS WoRD, YOUR CYNICAL COMPLAINING ONLY PEFLECTS ‘you APKTH . Areleen Ni Bhaoil’s Soarise was. an authentic characteri- sation of the different facets ‘of the female personality. One can not forget the rep- resentation of evil in this classic story. Cian Nolan, the Dark Lord Don Dorcha, played his role to perfection. The nastiness of his character was seen through his every movement and expression. Jealousy, envy, power and pride were all evident in his perfor- mance and he danced the antagonist with casual ease. There is some much to be said for the other members of this world famous troupe. They are as important as any of the major characters. The sense of precision and prac- tice that their movements conveyed to the. audience WELL, I'LL BE DAMNED. © 1997 Adam Brooks she s0n of o preacher man ell rights reserved. was astonishing. Anyone could tell that the entire troupe was made up of well trained professionals. The costuming and set pol- ished this already spectacu- lar performance. The set changes were almost part of the choreography, and the shear number of costumes was a marvel, they had to have been constantly chang- ing clothes. The set was magnificent in a simple and elegant way, and the special effects did not remove atten- tion from the dancers. The co-ordination of the entire performance was almost as important as the perfor- marice itself and was pulled off without any problems. There were of course some minor glitches in this artistic performance. . It was difficult to see anything if you were seated on the floor because the stage was'so high, and for some the music was a bit gram. loud. There were no live musicians, with the excep- tion of the two violinists, and the solo vocalist. There are always problems with a show of this size, and these things are relatively minor. The only detail that | found personally annoying was_ the fact that there was no mer- chandise devoted to John Carey. The guy deserves at least a t-shirt with his face on it for coming to Prince George, and danc- ing; everything was plastered with Michael Flatley’s face, or name. | even had a hard time finding out who John Carey was, there was little mention of the sec- ond touring compa- ny, the one that came here, anywhere and none in.the twenty dollar pro- There was no men- tion of Carey’s achievements and after the performance several members of the audi- ence complained because they did not know the name of any of the lead dancers. This, of course, is Michael Flatiey’s “Lord of the Dance” because he choreographed the entire performance, but couldn't he have shared the tiniest corner of the spotlight with Carey, Norris, or Ni Bhaoil, who actually did the performance here? Grizzlies Taking Off by Jeremy Fung The Grizzlies are now 3 wins and 5 losses, nota bad start for their third year in the league. They are only three games out of first in their division, sure that’s a little optimistic, but hey, why not hope for them.